A Quote by Jessica Williams
I think great comedy comes from the oppressed. It comes from feeling like you've gotten punched up in a way.
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My philosophy is such that I am not going to vote against the oppressed. I have been oppressed, and so I am always going to have avote for the oppressed, regardless of whether that oppressed is black or white or yellow or the people of the Middle East, or what. I have that feeling.
Feeling supported when you are doing comedy is the best way to make comedy - at least, that's how I think.
Comedy used to be a vehicle for change. Now, comedy has gotten to this quirky, nonsensical place, which I enjoy. But I do think there is room for discussion-based humor. We can tell those stories in a way that feels edifying.
That's one of the things about comedy that annoys me the most from a comedian perspective. Comedy has gotten so segregated. Now it's like if you don't agree with somebody, you probably aren't going to like their jokes. I think comedians are starting to write for their audience and not towards the country.
Nobody in this country goes around saying: 'I'm feeling very oppressed by the E.U.' Well, one or two people do, but they're a bit odd. Ultimately, if they're getting oppressed by the E.U., they're going to start to feel oppressed by something else and just switch to a new subject of oppression.
I've gotten punched in the face before by Cena. His hands are like rocks.
I don't think it's ever hard to punch someone in the face who's just punched you in the face. I would say that anyone who thinks they can walk up to someone and punch them in the face without getting punched back is an idiot. At the end of the day, if someone came up here and punched you, trust me, you would fight back. That is just basic survival.
I knew I just loved comedy, and I think it was my parents who initially brought up the notion of me trying to do stand-up. I think I actually tried writing jokes just at home, just kind of sitting around. But it seemed like a very real way to step into the world of comedy.
I do not like the way oppressed Filipinos are being treated now. They are oppressed and have no one to turn to.
I knew I just loved comedy, and I think it was my parents who initially brought up the notion of me trying to do stand-up. I think I actually tried writing jokes just at home, just kind of sitting around. But it seemed like a very real way to step into the world of comedy. I felt I could do it, so why not?
I just feel like there's something to be said about feeling comfortable with what you have and don't have. And - for instance, I don't think I'm particularly a great singer, but I feel like I write songs that complement my voice, you know, and I feel like it's unique. And I don't feel like I'm particularly a great actor, for instance, but I feel like I approach each thing that I do with some level of sensitivity. And I would say that comedy in general is the most disarming.
For me, comedy and drama are all the same thing. How the comedy ever even started in my life was that moments got uncomfortable and I felt uncertain of what the outcome was going to be, so I found a way to deflect what I was feeling, or what everyone else was feeling, by creating laughter.
The writing process is sort of like when you've got no electricity and you've gotten up in the middle of the night to find the bathroom, feeling your way along in the dark. I can't hardly tell you what I do because I really don't know.
The word 'supportive' has no place in stand-up comedy. I hate when people are like, 'Support female comedy.' That's not a real genre of comedy. I think if you have true respect for women as three-dimensional creators who are innovative, you wouldn't group them together like that.
It's been part of my signature to incorporate my humor with my dance, or even just how I'm feeling. If I'm feeling humorous, which I am, most of the day, I tend to incorporate that. If I'm dancing freestyle, if I feel like I've gotten too serious, while I'm moving, I'll think, "All right, it's time to lighten up a little bit," and I do. It just feels good.
I feel like success to me is about feeling like I have done something in storytelling, where I've gotten close to articulating something intangible that I'm feeling, and I think I get closer every time, but I don't know that I've done that yet.
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