A Quote by Jessica Hahn
Tammy Faye, I really like the woman. I wanted to be her kid.
Related Quotes
Tammy Faye, I pray for every day. I really liked her. I wanted to be in their family.
Tammy Faye said, I am so happy that Jessica Hahn is so ugly, because now I don't feel so bad.
Tammy Faye said, "I am so happy that Jessica Hahn is so ugly, because now I don't feel so bad."
But Tammy Faye calls me, and Ron Jeremy calls me, Erik Estrada sends me a Christmas card every year.
You constantly felt like you wanted to protect her and that you wanted to save her and that's what made her attractive more so to women than even to men. That's why she's still with us. Marilyn Monroe never offended a woman.
You know when you see a mother someplace just melting down on her kid? She's like, 'Shut up, I hate you, you're ugly!'... Any parents there are thinking, 'What did that shitty kid do to that poor woman? That poor woman. I wish I could help.'
I wanted to drown inside a woman in the feeling and drooling of the love I could give her. I wanted her pulse to crush me with its intensity. That's what I wanted. That's what I wanted myself to be.
If only Tammy knew how much I really cared about her. She has nothing to do with any of this mess.
I wanted to be an independent woman, a woman who could pay for her bills, a woman who could run her own life - and I became that woman.
As a kid, Punky Brewster was my idol. I wanted to dress like her and talk like her.
I wanted to fathom her secrets; I wanted her to come to me and say: "I love you," and if not that, if that was senseless insanity, then...well, what was there to care about? Did I know what I wanted? I was like one demented: all I wanted was to be near her, in the halo of her glory, in her radiance, always, for ever, all my life. I knew nothing more!
I had a hard time on TV, the last time on television, so I wasn't sure that I wanted to do that again. But, I really am a big fan of Jenji and I knew this is her next thing, so I read it. And once I read the script, I was really, really impressed that there was a woman who was the centerpiece of her own story, and that she was in the center of her own narrative.
It is fine for a woman to know a lot; but I don't want her to have this shocking desire to be learned for learnedness sake. When I ask a woman a question, I like her to pretend to ignore what she really knows.
Which lady would I like to meet? Um, I don't know that there's anybody left that I didn't meet. But the one that I really wanted to meet died and that was Princess Diana. I really wanted to get to know her. I like her.
What I wanted to do was put a woman of color, front and center, in my movie combining a lot of themes that were relevant to both men and women. I actively wanted her to carry the weight of this movie because I'm a woman. And I actively wanted to explore many of the issues that affected her as a woman of color. That was very important to me. And although these issues affect some women of color, I don't think they're only of interest to women of color. They're of universal interest.
All the other books ask, 'What's it like?' What was World War II like for the young kid at Normandy, or what is work like for a woman having a job for the first time in her life? What's it like to be black or white?
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