A Quote by Jessica Hische
When I have to critique someone else's web design, rather than write up a giant email or take a screengrab and move stuff around in Photoshop, I put together a really quick CSS doc making my changes.
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CSS is the design language of the web, and it is not as easy to use as it ought to be, and it can be confusing, especially if you are new to it.
My buddies and I, we all went to law school together, and once we started working in different cities, we all did crazy stuff, and we'd write e-mails to each other about the stuff we would do. And my friends thought my e-mails were really funny and they said, "Dude, why don't you put this up on a Web site. You know people would love to read this."
It's rather disconcerting to sit around a table in a critique of someone else's work, only to realize that the antagonist in the story is none other than yourself, and no one present thinks you're a very likable character.
It is really like a family. We are around each other more than we are around anybody else. The time we spend together, and the hard work we put in together, it is going to build a close team.
I'd like to be able to design as easily as if I was using Photoshop. I'd like to be able to create a multicolumn layout and control source order without having to do advanced mathematics or hire Eric Meyer or Dan Cederholm to figure out the CSS, because I can't.
For example, I was discussing the use of email and how impersonal it can be, how people will now email someone across the room rather than go and talk to them. But I don't think this is laziness, I think it is a conscious decision people are making to save time.
Every wrestler I've ever had critique me, they were always into my stuff or what I'm doing out there. For a non-wrestler, someone who doesn't even know how to lock up, and if we did lock up, they wouldn't know what to do, for them to critique any of us, it really does pop me.
We also have a team that works really well together, that knows whose turn it is to pick up what someone else can't continue-the five of us work really well together and if someone says, "My plate is too full, I can't handle this," then someone else will always grab onto it.
Since I met Starsmith, my producer, I really feel like I'm making music because we write it together and produce it together. I've got a proper involvement in the end product as opposed to just writing a song and finding someone else to produce it.
I think I have patient fans that want quality over quantity. It's more important to me that the project be the best that it can be and the realest it can be rather than rushing a whole bunch of generic songs, because I could do that. I could just put together some songs real quick that I really like. I only write and I only sing for a purpose, so if its not then, it's not going to be rushed.
The more I think about our species the more I think we just do stuff and make up explanations later when asked. But it's not true that I would rather write than read. I would rather read than write. To be honest I would rather hang upside down in a bucket than write.
You almost have to step outside yourself and look at you as if you were someone else you really care about and really want to protect. Would you let someone take advantage of that person? Would you let someone use that person you really care about? Or would you speak up for them? If it was someone else you care about, you'd say something. I know you would. Okay, now put yourself back in that body. That person is you. Stand up and tell 'em, "Enough!
I decided to create a really good laptop recording situation and to learn how to write that way, rather than have the perfect stuff around.
I could handle the basketball but I wasn't quick enough to move defensively. Offensively, I was fine. I could get around, I could do stuff, but defensively I wasn't quick enough. I couldn't keep up. That was the biggest thing. And that was at the Division II level.
When you get an idea, so many things come in that one moment. You could write the sound of that idea, or the sound of the room it's in. You could write the clothes the character is wearing, what they're saying, how they move, what they look like. Instead of making up, you're actually catching an idea, for a story, characters, place, and mood - all the stuff that comes. When you put a sound to something and it's wrong, it's so obvious. When it's right, the whole is greater than the sum of the parts. That's a magical thing that can happen in cinema.
Deleting 200 spams a day is a drag. And I was checking my email constantly, rather than getting on with my real work, which is reading and writing. Email was becoming a distraction, a burden rather than a liberation.
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