A Quote by Jessica Chastain
I was a dramatic kid. I remember, I was very young, and once I knew what I wanted to do I, like, created a theater company, and I would direct, and we would sell lemonade to buy props.
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I'd get kicked out of buildings all day long, people would rip up my business card in my face. It's a humbling business to be in. But I knew I could sell and I knew I wanted to sell something I had created. I cut the feet out of those pantyhose and I knew I was on to something. This was it.
I knew I wanted to direct since I was a kid. That was something I was always fascinated by and wanted to experience and see if I would be any good at it.
To understand KKR, I always like to say, don't congratulate us when we buy a company. Any fool can buy a company. Congratulate us when we sell it and when we've done something with it and created real value.
If they opened things up and I could build a luxury condominium in Vedado, I would sell them in two hours here in Miami. Cubans in Miami would be the first to buy. In Miami, 80 percent of the people we sell to are foreigners. Havana is a city very similar to Miami... There's good music, good theater, good ballet.
A lot of the time in my recurring dreams, before I was diagnosed, iconic people would either be good or evil figures. I remember dreaming really basic stuff like trying to navigate the London underground, but then Paul Newman would be the only one who would direct me to the right trains. And I'm trying to remember who would direct me to the wrong ones.
I started in theater. I would liken sitcom work more to theater work than I would, perhaps, to dramatic television. It's so quick. It kind of feels like the pace of a play.
I was pretty entrepreneurial as a kid. I had a lemonade stand. When I was 12, I arbitraged the price of 7-Eleven hot dogs; I'd buy the ones that are pre-wrapped with the bun and then sell them on the beach.
Companies are bought not sold, an investment banker told me that once and it is very true. Basically what it means is you can't control selling your company, you can only sell it if somebody wants to buy it, and you need someone to want to buy it.
All I wanted was to be a regional-theater actor, to be in a company. I thought it would be a great life. I don't think I understood how difficult it would be.
I was a shy kid, but somehow I knew I would make it as a performer. I'd always be telling my mum that I was going to be a famous singer. In my school yearbooks I would write, 'Remember me when I'm famous.' I knew I had a gift.
Soon, everything else would come rushing at him. Like the ground to a falling man, it would come rushing up and hit him all at once - the place, the company, her words; one implication would lead to another and shatter him - but around that intake of breath the world hung silent and bright, so bright, and Akiva only knew this one thing, and held on to it and wanted to live inside of it and stay there forever. Karou was alive.
I would have people send me shoes and I had 40 pairs and none would fit in the dorm room. People would come by and be like, "Yo, I've been looking for these shoes." I was like, "I'll sell them to you for $300 right now." I'd sell them, save up $4,000 to $5,000, go to the mall and just buy a bunch of new stuff.
I knew I wanted to be an actor, and I didn't necessarily need or want to be famous or a celebrity actor. But I wanted to be somewhere where there would be no ceiling on what I could accomplish, and I felt like if I stayed in St. Louis I might have a really great regional theater career or something, but that I wasn't going to be able to get much further than that. And it felt like New York and L.A. were the two places where you could end up being a TV star or you could end up doing regional theater, which would have been fine as well.
A lot of drive is innate, self-perpetuated, reinforced energy. As a kid, I could always sell anything I could get my hands on - from newspapers to lemonade to 'TV Guide.' I knew how to make a presentation.
A lot of drive is innate, self-perpetuated, reinforced energy. As a kid, I could always sell anything I could get my hands on - from newspapers to lemonade to TV Guide. I knew how to make a presentation.
As a kid, I always wanted to be like Spielberg and to make wonderful movies. Even when I was making 'Indiana Jones,' I was looking at how he would come up with these amazing shots and how he would choreograph the blocking and all that. So I knew from early on I would go to film school and try to work behind the camera.
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