A Quote by Jessica Jung

Blanc et Eclare is always what I work on constantly. — © Jessica Jung
Blanc et Eclare is always what I work on constantly.
For Blanc & Eclare, we go by the motto 'modern classic,' and that kind of comes from me because I don't like to overdo things and I try to be as natural as possible.
When I think of the Blanc & Eclare girl, I think of me.
I always used to sit next to Mel Blanc when we'd do the shows. When you have Jack Benny on one side and Mel Blanc on the other, you're not going to go far wrong.
I've always said that you can't be the new Mel Blanc by doing Mel Blanc's voice.
I go on at least 2-3 auditions a week in the pursuit of more work. So I'm constantly working on material and constantly honing and trying to perfect a craft that is never perfectible - it's always new, and it's always different. It's always a work in progress.
If you compare the number of people who climb Everest to the number who climb Mt. Blanc, it is like only 2 percent. But people don't talk about how crowded Mt. Blanc is.
My father has always written with Mont Blanc pens. It's very chic and elegant and classic.
We're not always in the position that we want to be at. We're constantly growing, we're constantly making mistakes, we're constantly trying to express ourselves and trying to actualize our dreams.
I've always felt that there's a very thin membrane between madness and alcoholism, and/or destitution and being an OK American guy in a comfortable heated apartment with meatballs and a decent Sauvignon Blanc in the fridge.
There's so much pressure for actresses to constantly work or constantly be desired in terms of a value.
I consider myself a student, both in my work and my life, and I'm constantly learning and I'm constantly grateful for that.
Our work can always get better, and we are constantly striving for that.
The thing about theater that always and still kind of makes me edgy is that you work and work and work and work, and then you're just in performance mode, and then you have to just be on; the work is done, and then you just have to do it over and over again, so you're just constantly at that performance level.
I love the romance of Paris. I love Angelina [tearoom and pastry shop]. I always get a Mont-blanc [pastry] there.
I think from a driving perspective, the great thing of being in a simulator a lot is that you can constantly work on areas. Of course it's not like being in a real car, and you always have to remember that, but it means there are all these things that you can work on.
I'm always around creative people, and I'm trying to work on something constantly at all times.
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