A Quote by Jeff Bridges
My m.o. as far as choosing projects is I really try not to work. I try to not do the scripts that are offered me.
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My M.O. as far as choosing projects is I really try not to work. I try to not do the scripts that are offered me. I'm in this wonderful position to be able to do that.
My m.o. as far as choosing projects is I really try not to work. I try to not do the scripts that are offered me. I'm in this wonderful position to be able to do that. The reason I do that is because I know what it takes once I engage, what that means for me personally and for my wife.
I was offered more work after the Oscar. When I was younger, I would take whatever I was offered because it was money and work and experience. In a way, choosing is the hard part. I know that's a luxury problem, but it's true. I try to go where passion takes me.
I always try to pick projects by: Is this something that excites me? What are the people like to work with? Obviously you spend a lot of time in a room together with them, so I always try to find projects that hopefully have great people attached.
There've been moments where I just was tired of being in L.A. It was very difficult. I mean, you're constantly rejected. And that's OK, it's just really frustrating for me, because I try to read scripts and projects that have really great, deeper, meaningful qualities to them.
I'm living in the moment. I just try to move each of the stories, scripts and projects that I work on forward. And when they're ready and the people are ready to make them, we'll do that.
Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
You try to go where the great scripts are, if you can, or you go where the not great scripts are, because that's what's being offered to you.
I sift through the scripts offered to me and see what is worth attempting, because I think there is no point in wasting your time in doing something which you are not too keen on. I try and do whatever I feel interested in.
I've been lucky. The projects I've gotten to work on are projects I'd want to watch myself. That's what I try to shoot for.
Would you believe, I am still offered scripts and projects all the time?
I'm always trying to find that role that will allow me to stretch and play a lot of different sides, but it's hard. To be frank, as an actor, I read maybe a hundred scripts a year and I really strongly respond to probably two, but every other actor in town responds to those two scripts, as well. It's hard to land those roles that are really good because they're coveted. That's why I try to create for myself, and that's why I've been doing things outside of acting, like writing and producing. I try to not have to depend on other people so much.
Good scripts that are offered to me are few and far between, so I pick the best that I get.
I really don't find revivals very interesting because I like new work a lot. I feel like if you're going to pay me, then let me do what I do and let me try to solve some problems. Let me try to make something fly. Why would I do something that everybody has already done the hard work on? But that's me. Tons of people do revivals really well.
Some people try to cyber bully me; they try to get to me with words, but that doesn't really work.
I try to pick the best from what is offered to me, and then with roles, also, I try to add something new. There is a constant conflict to not become repetitive.
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