A Quote by Jeff Bridges
My approach to working in movies is to empower the director to have power over me and to really support his vision because he's the guy, at the end of the day, who's going to put it all together.
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If I do a play, it's my vision, and everybody else is working on the production to support that. If I do an opera, I feel like part of my job is to support that composer, to try and create something that allows the composer to do his or her best work. In movies, it's usually the director.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
It's rare that I'm working on a movie and that's the case. My goal is the same, ultimately at a certain point you give it to the director and their vision. You're there to support that vision.
I earned that the strong will always beat the weak, but the smart will beat the strong. Boxing is a tough guy sport. But in the end, the tough guy gets to clean the streets and be a bodyguard. In the ring, the tough guy is going to get hurt; at the end of the day, he's going to talk funny. Only the smartest win. So, I know it's cliché, but power - real power - comes from knowledge, comes from smarts.
I think vision is highly overrated today. I think what really blesses a ministry is, if you want the power of God in your life, its humility and integrity. I'll take a person who's humble and has integrity over a person who has vision any day. A lot of people have vision just based on ego, but it's in that dependence upon God that we get His vision and develop more trust in Him.
I think Ed Harris is a conscious screen actor, so I think it was strong, it was like he put everything together somehow in 'The Way Back'. He likes, I don't want to say the method approach, because that's not really necessarily his way of working, but it was easy to do because of the location. He'd go off by himself, and they would make things.
Do you have the vision to help empower and channel the energy at the grassroots level?This is not about one person; this is about millions of people all working together to protect and advance the interests of working Americans.
Once you are in that ring things happen that you don't expect. There is nothing you can plan for. At the end of the day, you've just got to go in there and feel the guy's spirit. You've got to listen to him breathe, look into his eyes, feel his power and feel his speed. You can't think too much. It is instinctive. It is on-the-fly. But at the same time I go in there and I think it doesn't matter what this guy does, I'm going to have my way. In whatever situation we end up, I am always going to come out on top. That is the one thing that is the same for every single fight.
Realistically, it's the great truism that screenwriters are fungible, that at the end of the day a studio is not going to want to fire a movie star. And they're really not going to want to fire a star director because the director has the hand on the tiller of a ship.
There always comes a moment where all the departments in a film need to work together. And if a director, his first assistant director, and cinematographer have a very clear vision, then everybody does work together.
There was this really rock n' roll guy who was very obviously dragged to my concert by his girlfriend. He had tattoos all over, and he was wearing a Metallica T-shirt. He came up to me said it was one of his favorite concerts because I had reached for his heart and dragged it out and put it in front of his face.
That's the hard thing about this sport. You don't have a guy over you telling you what you have to do. 'You have to do this, you have to do that.' So at the end of the day, I'm responsible for myself. So what I do is I put people in place around me to help keep me accountable.
At the end of the day, you're handing your performance over. If a director says after a take, 'You know what, try it just really angry. Just get furious'... you're like, 'Well, I don't know if I want to give you that because I don't know if I trust what you're going to do with it.'
Filmmaking is a creative process so there is a lot of collaboration that happens on set between an actor and director, but at the end of the day, we're there to actualize the director's vision and things happen organically.
Let me put it this way: if I am the leading man of the film, and the film-maker is asking me to support him in a certain aspect so as not to burden the budget of the film, I will do whatever I can to support his vision.
Working with Joe [Kosinski], definitely. I loved working with Joe. For a guy who doesn't really come from the fiction world - he comes from advertising and architecture - he's extremely easy-going and very calm. He's extremely detailed, but a very generous and fun director to work with. He really encouraged me to find the fun in the part and to have fun with it.
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