A Quote by Geoff Downes

Still, we view that old material very much like we view the new material so if this gives us a chance to go out and promote it then, yes we will go out and do that.
We'll all go out together when we go. Yes, we'll all go out together when we go. Oh, how the world will die From great fire in the sky. Yes, we'll all go out together when we go." (Total) Call me old fashioned but I'll take 'She'll Be Coming 'Round the Mountain' any day.
It's been a long time since we've been out there playing new material, and we have really enjoyed that. Of course we still enjoy playing the Yes standards as well, but it's great to have a bit of a challenge and pull off new material.
I will do a lot of research and create a lot of material for use in one painting. And then I go on discovering and working with a whole other range of material in another painting. I'm interested in a fairly comprehensive and orchestrated synthesis that might bring about a new situation consisting of this hidden material. I'm interested in hidden source material.
What we see is what they're trying to sell us. It's not true nostalgic as much as it is repeating old material because it's less expensive than new material.
From the scientific view, the theory of karma may be a metaphysical assumption -- but it is no more so than the assumption that all of life is material and originated out of pure chance
It fascinates me that there is a variety of feeling about what I do. I'm not a premeditative photographer. I see a picture and I make it. If I had a chance, I'd be out shooting all the time. You don't have to go looking for pictures. The material is generous. You go out and the pictures are staring at you.
You've just gotta go in and write from the heart and write the best material that you can and put it out. If one hits, hey, great. It keeps the legacy going. But you've gotta keep doing new material. It's the future of any band.
I like Las Vegas because it kind of gives me a chance to gauge my material in front of a very diverse group of people. There are a lot of different people in the audience, and you can kind of get a barometer for how your material plays throughout the country.
The main issue was deciding what to play: Should it be old Ramones material or new material? I had about three albums worth of new material, but I knew that people would rather hear the Ramones songs.
The best adaptations are the ones that really excavate the material. The movies that work are the ones in which somebody very smart figured out how to take all the thematic material, all the character material, all the filigree, all the beautiful writing and put it into a story.
If the view is very beautiful, do not sit and watch; go to the view, be in the view!
I don't care for remakes. There's soooo much undiscovered material out there; old and new. I want to be original.
When I say 'publishing is the new literacy,' I don't mean there's no role for curation, for improving material, for editing material, for fact-checking material. I mean literally, the act of putting something out in public used to be reserved in the same way.
Dogs don't just like us, they love us, and they admire us. The big reason they admire us is we invented cars. They're like, "Yes, we get to go somewhere!" Go somewhere faster, with their head out the window, and their ears, like, "Yes! Yes!"
It is natural selection that gives direction to changes, orients chance, and slowly, progressively produces more complex structures, new organs, and new species. Novelties come from previously unseen association of old material. To create is to recombine.
The thing that concerns me more than anything is when anybody becomes closed off and exclusive of other people's ideas. All of our brains are in the same mode of searching when trying to understand reality, and when we come to a belief system that makes sense to us we hold it strongly, whether it's an atheist view, or a Christian view, or a Muslim view, whatever, then it's very hard to let go and I think it's so important to try to foster dialogue.
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