A Quote by Jeff Conaway

In 'Taxi,' I kept doing the same scene for three years. I was underused. — © Jeff Conaway
In 'Taxi,' I kept doing the same scene for three years. I was underused.
I started when I was three years old, doing commercials and Modeling in New York, I liked it so much that I kept doing it.
I saw 'Taxi Driver,' and 'Taxi Driver' kind of saved my life. The scene where Robert De Niro is looking at himself in the mirror saying, 'You talkin' to me? You talkin' to me? Who the hell else are you talkin' to?' That's the scene that changed my life by changing my attitude about acting.
I've been dancing for 20 years. I just kept doing the same job that I've always done.
When I was in NYU Film School I drove a taxi in New York for two years, I felt like I owned my own business with that little taxi.
Every three or four years I pick a new subject. It may be Japanese art; it may be economics. Three years of study are by no means enough to master a subject but they are enough to understand it. SO for more than 60 years I have kept studying one subject at a time.
But the more I read... after awhile... I begin to find they were all writing about the same thing, this same dull old here-today-gone-tomorrow scene... Shakespeare, Milton, Matthew Arnold, even Baudelaire, even this cat whoever he was that wrote Beowulf... the same scene for the same reasons and to the same end, whether it was Dante with his pit or Baudelaire with his pot... the same dull old scene...
A wise man had said that your Christian life is like a three-legged stool. The legs are doctrine, experience and practice, which is obedience; and you, will not stay upright unless all three are there. In recent years many Christians have not kept these three together.
I got fascinated with all of this work in terms of spirituality, philosophy, behavioral science when I was around 18 years old. I've been doing this for 14 years, and I've been doing it online for three years.
It doesn't matter if you're doing a studio movie or you're doing an independent movie. When you get to set and you're doing a scene, it's always going to be the same job.
I kept the same suit for six years and the same dialogue. They just changed the title of the picture and the leading lady.
I'm in a wonderful position now because the rise of the whole Houston scene, the scene that we've been doing for years that people really didn't embrace a long time ago and now they're embracing it. It's good to be in the middle of that during the uprising.
No, in Lethal Weapon I was a taxi cab driver that Mel jumps in front of the taxi and pulls me out of the car and steals the taxi. Then I did some other indie driving for some of the car sequences.
It doesn't matter if you're doing a studio movie or you're doing an independent movie. When you get to set and you're doing a scene, it's always going to be the same job. I really don't think about my career, in terms of planning it out and what this does for me.
When my brother was a child, he kept telling my mom he wanted to be in the box. She didn't get it - he was two or three years old and kept saying he wanted to be in the box. She finally realized he was talking about the television.
I took a cabbie to taxi court once. Years ago, this guy didn't want to take me to Brooklyn. Just refused. I explained that I would absolutely take him to Taxi Court because, see, I'm an actor and have pretty much nothing but free time.
Honestly, you got to take care of the people that take care of you. I know that sounds like cliche, or borderline phony, but that's the case. The reason I've had the fans that I have is because I've been consistent over the years and kept coming back and doing the same runs. I'm never going to stop doing the cities I've gone through. I'm only going to add.
This site uses cookies to ensure you get the best experience. More info...
Got it!