A Quote by Jeff Merkley

My way of viewing the talking filibuster was as a way of doing unanimous consent with your feet. You object by going down and talking. — © Jeff Merkley
My way of viewing the talking filibuster was as a way of doing unanimous consent with your feet. You object by going down and talking.
There are two ways of looking at the talking filibuster. My way is as a form of unanimous consent.
In terms of viewing the world in a certain way, when you're talking about monsters and talking about the metaphor that you're trying to create, as Black Americans, you oft times stand apart and you have to look at things from the inside out or the outside in.
Mothers are doing a better job talking about risk, danger, reproduction, consent, unwanted pregnancy. We're not talking about how to balance the risks and joys and we're really not talking about the joys.
Secondly, there are such things as roving wiretaps. Now, by the way, any time you hear the United States government talking about wiretap, it requires - a wiretap requires a court order. [...] Nothing has changed, by the way. When we're talking about chasing down terrorists, we're talking about getting a court order before we do so. [...]
I'm the straight-talking woman in your life who is going to be really honest with you, but come from a place of love. I'm not talking down to you; I do this from my heart.
So many people think that practicing an art is a good way to make a living. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. I'm talking about singing in the shower, I'm talking about dancing to the radio, I'm talking about writing a poem to a friend.
Adults are interested if you don't play down to the little 2 or 3 year olds or talk down. I don't believe in talking down to children. I don't believe in talking down to any certain segment. I like to kind of just talk in a general way to the audience. Children are always reaching.
Well,” said the frog, “what are you going to do about it?” “Marrying Therandil? I don’t know. I’ve tried talking to my parents, but they won’t listen, and neither will Therandil.” “I didn’t ask what you’d said about it,” the frog snapped. “I asked what you’re going to do. Nine times out of ten, talking is a way of avoiding doing things.
Why are we talking about talking? Why negotiating about negotiating? It's very simple. If you want to get to peace, put all your preconditions on the side, sit down opposite a table, not in a studio, by the way.
If you go by other people's opinions or predictions, you'll just end up talking yourself out of something. If you're running down the track of life thinking that it's impossible to break life's records, those thoughts have a funny way of sinking into your feet.
I don't know if it's because of the way we grew up - we just don't like talking about ourselves or talking about what we're doing... It's not really our approach.
I have a great deal of hope. I think that change is here, it's happening. But I know that if we think it's just going to happen on its own, that's not the way it works. We need people to keep talking about women of color writing comics and living the charge. Not just talking but doing. Making art, putting it out there.
You've got to be vulnerable when you're talking to kids. There's nothing worse than some adult standing up there just talking down to some kid. You can't work that way.
When talking w/kids its not what we say but how we say it! Think about your tone of voice & non-verbal communication. When talking to my kids I can get them to listen better by not talking down to them, but talking to them at eyeball level
I am talking and really talking on this very entrenched power structure, and what we're doing is we're talking about the power structure, we're talking about its entrenchment. As a result, the media is going through what they have to go through to.
The thing about being on the majors, from the beginning, going into this, I was like, "I'm not going to be treated like a factory," because that's never the way it was done before. You're talking about a major label, we're talking about serious business; you're not an artist anymore, you're a business, you have to work in terms of product, you have to release a product, and I don't really think that way at all.
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