A Quote by Jeff Raz

For an acrobat, the acting concepts of 'risk', 'a life or death situation' and 'trusting your partner' are visceral. If an actor loses focus, the scene dies; if an acrobat loses focus, their partner might die.
If a man loses one-third of his skin he dies; if a tree loses one-third of its bark, it too dies. If the Earth is a 'sentient being', would it not be reasonable to expect that if it loses one-third of its trees and vegetable covering, it will also die?
The acting background helped a lot when I started writing. I was training for it. In acting class they teach you about the stakes in a scene (and) what motivates characters. When you bring a scene to class - as an actor with your scene partner - you have to do everything. There's no producer, set decorator or anything like that. You and you partner have to do everything and that's kind of like facing the blank page as a writer.
He who loses wealth loses much; he who loses a friend loses more; but he that loses his courage loses all.
When a free man dies, he loses the pleasure of life. A slave loses his pain. Death is the only freedom a slave knows. That's why he's not afraid of it. That's why we'll win.
Acting requires focus, too, but acting doesn't, you might say, demand focus. When you're in the ring you don't even have to think about focus because the danger is so imminent. Imminent. You train and you prepare and then the adrenaline kicks in and drives you into focusing intensely. You'd better focus, right? Or else you'll make your exit on a stretcher.
Death loses its terror if one dies when one has consummated one's life!
To handle yourself, use your head; to handle others, use your heart. Anger is only one letter short of danger. If someone betrays you once, it is his fault; if he betrays you twice, it is your fault. Great minds discuss ideas; average minds discuss events; small minds discuss people. He who loses money, loses much; he who loses a friend, loses much more; he who loses faith, loses all.
CIA relies on a partner's focus, linguistic agility, and cultural depth; in return, the partner benefits from CIA's resources, technology, and global view.
Every two weeks, a language dies. The world is diminished when it loses its human sayings, just as when it loses its diversity of plants and beasts.
I am strong against everything, except against the death of those I love. He who dies gains; he who sees others die loses.
...Nothing that your partner does is personal. Your partner is dealing with her own garbage. If you don't take it personally, it will be so easy for you to have a wonderful relationship with your partner
You always absorb a lot from a great actor. What you want, as an actor, no matter where you are in your career, is a partner who's going to bring everything they have to the scene.
If you can do any favor for yourself, if you want to understand yourself, if you really want to build anything for yourself, try to make a plan to have a cozy home and a cozy partner. When even God may leave you, your partner should not-that kind of partner; a partner who does not know how to part. If your partner knows that he can part, he does not yet have the power to unite.
When you do any relationship scene, you do fall in love with your acting partner a bit.
To me, a spouse should be a life partner AND a business partner. Just like any good partner, her strengths must make up for my weaknesses and vice versa.
When you're a working actor and you're happy to be one, you can't focus all your energy on acting because you will go crazy. You have to focus as much energy as you can away from yourself.
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