A Quote by Jeffrey Bowyer-Chapman

'UnREAL' has always been provocative and bitingly honest, which makes the show what it is. — © Jeffrey Bowyer-Chapman
'UnREAL' has always been provocative and bitingly honest, which makes the show what it is.
Just finding ways to be not provocative for provocative's sake, but to show an idea that hasn't been shown before, I mean that's interesting to me.
The very nature of 'UnREAL' is that we are provocative, uncensored, and brutally tactless.
Every song that has been a hit for me has been honest and truthful. I have to believe that same formula will work on this (television) show. It has to be believable and honest.
It's not success that makes a person's life worthy of legend. It's provocative defeat, someone who struggled mightily and lost. And that loss can't just be gratuitous - there has to be something about his or her character that whittles that loss into something provocative.
In obedience to the feeling of reality, we shall insist that, in the analysis of propositions, nothing "unreal" is to be admitted. But, after all, if there is nothing unreal, how, it may be asked, could we admit anything unreal? The reply is that, in dealing with propositions, we are dealing in the first instance with symbols, and if we attribute significance to groups of symbols which have no significance, we shall fall into the error of admitting unrealities, in the only sense in which this is possible, namely, as objects described.
Poetry, even when apparently most fantastic, is always a revolt against artifice, a revolt, in a sense, against actuality. It speaks of what seems fantastic and unreal to those who have lost the simple intuitions which are the test of reality; and, as it is often found at war with its age, so it makes no account of history, which is fabled by the daughters of memory.
The Internet is a seemingly unreal environment where we think we are anonymous. It's a potentially provocative place. As a result, we may not behave the way we would in the real world. Some of us are drawn into what could become a dangerous situation.
In my stand-up, I've always been loose. If there's a curtain onstage, I'll use that in my act. If there's a door, I'll use the door. I always like to use everything at my disposal, which makes each show a little different and a little more fun.
There's always something about the Tonight Show that makes me a little bit anxious, nervous, excited. But it's good. It's good. It's been real good for me. It always has helped my career and Jay and all the people here have always been great.
Comedy has always been my favourite genre, and I always wanted to be a part of a process which makes people happy. The genre has always been lucky for me.
I've always had to move between a couple of years of unemployment, where offers are not provocative enough to take, and seasons where I work nonstop for a year. It's always been an erratic rhythm.
Starz is a network that's going for the content that's extremely honest and pushing the envelope and is provocative.
It's difficult to stay relevant for many years, but I've somehow managed to do so. I'm honest and provocative.
I've always been switching around the show to accommodate the audience, and you know it really makes it a lot more fun for me and keeps it fresh so that I'm not complacent with the same show every night and with every audience.
What makes me happy about the show, and what I hope people take away from it is: "Just be yourself." I know that's supremely corny, but I really think that just being honest with yourself and being honest with everyone around you is the best way to live.
As I rolled over, stretching out, my only thought was to go back to the dream I'd been having, which I couldn't remember, other than that it had been good, in that distant, hopeful way unreal things can be.
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