A Quote by Jeffrey Combs

I also sort of find the idea that not only do actors want to please when they're onstage, I find actors really want to please off stage a lot of the time, don't they? — © Jeffrey Combs
I also sort of find the idea that not only do actors want to please when they're onstage, I find actors really want to please off stage a lot of the time, don't they?
I know in Britain with 'Doctor Who' all the classic actors, and the people who you'd really want to, work on the show. I like that the fact that 'Torchwood' has actors that want to be involved from the stage. It has raised our game, and I'm just happy for good actors who want to be in sci-fi shows who love the genre.
It's really hard for me to meet someone. I don't want to date actors. Been there, done that. Only one actor per household, please.
There's a lot of actors out there or people who want to be actors. It's unique to find somebody that, you know, needs to be an actor.
What do actors really want? To be great actors? Yes, but you can't buy talent, so it's best to leave the word 'great' out of it. I think to be believed, onstage or onscreen, is the one hope that all actors share.
If you are lonely, please know you can find comfort. If you are discouraged, please know you can find hope. If you are poor in spirit, please know you can be strengthened. If you feel you are broken, please know you can be mended.
I think a lot of actors, especially actors with a theater background, have a musical ear. A lot of actors just want to be musicians anyway, and a lot of musicians want to be actors.
Cats are impossible to work with. They're just very difficult because you can't really train them. They're not really interested in whatever you want them to do. Dogs want to please you; cats only want to please themselves.
As an actress I find the most enjoyable part of acting is really just to please the director. I just want to please my director.
A lot of independent films try to pull off a 14-day shooting schedule, which I think is ridiculous. No matter how big or small you are, it really kills whatever sort of time you get to allow the actors to find their characters, and to spend time to think about what they're doing.
Actors want to act; actors want to emote. It's like the emotional equivalent of tearing your shirt off and screaming to the heavens: you want to express, and you want to be seen to be expressing.
I tried to concentrate on the angel's voice instead. "Bella, please! Bella, listen to me, please, please, please, Bella, please!" he begged. Yes, I wanted to say. Anything. But I couldn't find my lips. "Carlisle!" the angel called, agony in his perfect voice. "Bella, Bella, no, oh please, no, no!" And the angel was sobbing tearless, broken sobs. The angel shouldn't weep, it was wrong. I tried to find him, to tell him everything was fine, but the water was so deep, it was pressing on me, and I couldn't breathe.
Please, please, please, my dear competition. We can beat each other and fight each other as much as we want and argue, but do not predict how a system really works when you really don't know and don't want to know. Either be better informed, or don't do it.
I never make suggestions. I really don't. I know a lot of actors who get a part and then they dissect it and they want to change it and they want to add stuff. I'm always amazed and so impressed by actors who do that.
When I was first writing, my little prayers were, 'Please, please, please. Let something be published someday.' Then it went to, 'Please, please, please. Let somebody read this.'
'Friends' is easy to dismiss, but it's really good television - the art with which those actors play with comedy shouldn't be denigrated. And they also know how to play irony, which I think a lot of English actors might find quite difficult.
Please tell me a story about a girl who gets away." I would, even if I had to adapt one, even if I had to make one up just for her. "Gets away from what, though?" "From her fairy godmother. From the happy ending that isn't really happy at all. Please have her get out and run off of the page altogether, to somewhere secret where words like 'happy' and 'good' will never find her." "You don't want her to be happy and good?" "I'm not sure what's really meant by happy and good. I would like her to be free. Now. Please begin.
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