A Quote by Jeffrey Wright

It's one thing to know your lines, another to be able to deliver them. The taste of the pudding is in the delivery. — © Jeffrey Wright
It's one thing to know your lines, another to be able to deliver them. The taste of the pudding is in the delivery.
Following the script is one thing, but the unique way in which you deliver your lines is what makes them your own.
Practice your improv more than learn your lines. 'Cause there's no way you'll be able to learn all those lines in a short time. You have to realize what you know and what you don't know - and what you don't know, just come up with three alternate lines or improv that you can put in that spot.
The only thing I know that makes me feel comfortable is to know as much as I can. Not like what the shots are going to be, but knowing enough about my character that I can forget those things. And more specifically, my lines. I have to know my lines. I have to know something really well, so I can forget it when we're doing it. And there is comfort in knowing, "Okay, there's not another stone that I could have overturned."
The best thing about doing a realistic film is that you have the freedom to deliver your lines as natural as possible without sticking to the script.
A bowl of pudding only has taste when I put it in my mouth - when it is in contact with my tongue. It doesn't have taste or flavor sitting in my fridge, only the potential.
When you're on the field, you've got to deliver. It doesn't matter what you potentially could deliver or what you might be able to deliver in future - you've got to deliver it there and then.
If you do your fair day's work, you are certain to get your fair day's wage - in praise or pudding, whichever happens to suit your taste.
I think, in comedy, timing is everything. You and I could tell the same joke, but if one of our timing is off, it won't be as funny. You've gotta know when to deliver your punch-lines.
"I feel like, like pudding," Iggy groaned. "Pudding with nerve endings. Pudding in great pain."
The challenges, the changes we're talking about often seem to them like unbelievable opportunities to deliver a product quicker, better. If you can improve the quality, lower the cost, and improve the turns - and you can do that because your information systems, your delivery systems, are better because of technology - well, you see that as a wonderful opportunity to gain market share.
The mission of a great school is not to cram you with facts so that you can regurgitate them...This gives many boys such a distaste for learning that they never read another book as long as they live. No, the mission is to inspire you with a taste for scholarship - a taste which will last you all your life.
Harrison Ford - one of my favorite actors - has a wonderful sense of character and depth and uniqueness to him, yet he's able to just deliver the lines without putting any English on it.
If your choice enters into it, then taste is involved - bad taste, good taste, uninteresting taste. Taste is the enemy of art, A-R-T.
Great acting is about listening to what they are saying ....not waiting to deliver your lines.
I would hope that people didn't think I was anything like Joan! It's very hard for me because Joan says such cruel things all the time. It sort of makes me cringe every time I read them because I think, 'Who could be so horrible?' To be able to deliver those lines and do them with a coolness, yet still make her likable, is a bit of a challenge.
Lastly get emotionally connected to your story so you can deliver it, you know, if you can't deliver the emotions to your script there's no point to your story. Story is the key.
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