A Quote by Jeffree Star

I think a lot of people are too safe in the makeup industry. — © Jeffree Star
I think a lot of people are too safe in the makeup industry.
People value makeup differently. Some people see makeup as an artistic expression, some people use makeup as a boost of confidence. I just think makeup is so beautiful and that it really is art. That's why I do makeup.
When you look cakey, or you have too much on, and you actually see the makeup, the makeup isn't doing its job. When you use the makeup in a way where the people aren't thinking about the makeup, and they're looking at you, that's what we want.
Don't be afraid of wearing a lot of makeup. Like, a lot. Your eyes deserve to be showcased. I think it's important to just remember that whatever you think you hate about yourself, there's a way to counter that with makeup and make that part of you beautiful.
I don't wear a lot of makeup ever, even when I do interviews or when I'm on TV. I just keep it me, and I think it's important to show people I'm a regular person and regular people are beautiful, too.
Endless data show that diverse teams make better decisions. We are building products that people with very diverse backgrounds use, and I think we all want our company makeup to reflect the makeup of the people who use our products. That's not true of any industry really, and we have a long way to go.
I think there are a lot of people in this industry that have the ability, that have the position, they have the opportunity, they have the privilege to call the shots and could do it too.
My idea of no makeup on actors is really no makeup. I mean, they can be wearing makeup. I don't care what they're wearing as long as it looks like they're not wearing makeup. But an actress will suddenly appear with some lipstick on. And that's makeup. Keener's character wears makeup. Her character would wear makeup. I try to stay true to whoever that person is. I hate that kind of thing where you're waking up in the morning with makeup on in a movie. I just think it pulls you out of the movie.
I think barefaced, minimal makeup happens mostly on editorial shoots. And I've taken a swing at minimal makeup here and there, but I think a lot of what drag celebrates is the opposite of that. I think the inauthenticity and the hyperfemininity is part of why it's so celebrated.
I take the palette with me, but I have a lot of makeup. I was a makeup artist when I was younger, but I'm not that good compared with my makeup artist, so I keep things pretty simple. I explore a lot with pink and nude lipsticks, but I love red lipsticks. I love a line and a lash and a brow. So I don't need a lot, but I have a lot. It's all there just in case - for Halloween or whatever.
I want the music to be heard as close to when I made it, as much as possible. I don't want to get into some "future of the music industry" thing, or where I stand on digital this or that, but I think it's ridiculous that a lot of people in the industry plan so far ahead that it makes a lot of improvisation impossible and makes a lot of people's expectations fixed and not fluid.
Safe sex, safe music, safe clothing, safe hair spray, safe ozone layer. Too late! Everything that's been achieved in the history of mankind has been achieved by not being safe.
I never like to wear too much makeup, and sometimes the best makeup is when it's not too perfect. I like to sometimes apply my makeup with my fingers.
An awful lot of filmmaking and playmaking is taken over by marketers and publicists, who set about to tell people what to think. And people feel safer that way. But it's not safe, and the whole wonderful thing that cinema and filmmakers can contribute is to go into the not-safe land of real life.
I think people look at revolution too much in terms of power. I think revolution has to be seen more anthropologically, in terms of transitions from one mode of life to another. We have to see today in light of the transition, say, from hunting and gathering to agriculture, and from agriculture to industry, and from industry to post-industry. We're in an epoch transition.
Honestly, I think I'm really good at taking off makeup. I cannot fall asleep with my makeup on. And I have makeup wipes beside my bed and all of that so there's like no excuse. I think that's extremely important.
And with this sort of increased visibility, there's more money going around in the industry, and it changes a lot, in terms of who gets into the business as a creator, who sticks with it, and who gets pushed out. And I do think it's sort of too bad that what once was a safe haven for truly eccentric, outsider artists is no longer that thing. But there are definitely pros and cons. You could also look at it as bringing in a more diverse crowd.
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