A Quote by Jeffrey Tambor
I get a singular comment that's very revealing: "I didn't know what to expect." Every time I hear that I think it's really just code for, "I wasn't sure I'd be comfortable with you in this role," which I understand coming from Oscar Bluth and Hank Kingsley and whatever. But I think there's a degree of, "Oh, okay, this is how it is." Then almost always people tell me that they love it and then people start talking to me about their families, whether it's transgender issues or not.
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One thing you think about when you do get nominated is that there is a coalition of people that think you performed okay in the role. You start to think about how much of a blessing it is to have your peers and then people outside of your peer group to say bravo.
I like as much time as I can get and I'll do whatever I think is helpful to prepare for a role. Sometimes it's practical research, meaning if I had to write shorthand, I'd learn how to write shorthand. Or if I have to know how to dance a certain way, I would learn that. And then there's just research of talking to people similar to the characters I'm playing. And there's stuff that I just feel is inspiring, whether it be music or a painting or a photograph. I've used a lot of Nan Goldin's photos in the past to inspire me. I use certain paintings and pieces of music.
I never really think about what people are going to think of the movie afterwards. Or what people are going to call me. I just want to make a great project, and my focus is really all on that. And then I really don't read reviews. Like, you know, go on comment boards or anything.
I think the most difficult thing about coming out is just getting to that place where you're comfortable with who you are and you're sayin' hey this is ok and just accepting yourself and not caring what other people think. Because if you don't have that confidence in who you are then, if things don't go the way you wish that they will, you know if people aren't accepting then they can easily tear you down if you're not prepared and comfortable with who you are.
...what's always exciting is when you hear something amazing when you least expected it. Every now and then I'll hear something for the first time that forces me to re-examine my frames of reference, and re-consider musical parameters in general, and that's wonderful . And what's even more wonderful in a way, is when you hear something that you know, and already think you have an opinion about, and then suddenly discover that it isn't what you thought it was, but something quite different, which makes it just as surprising as if you'd never heard it before. That's REALLY great!
Everyone has a masculine and feminine side; masculine qualities and feminine qualities. We've all got these sides to ourselves. And clothes can tell that story. People would think this is very unsympathetic, but I would always say to people, you don't actually need to go through with an operation, can't you just be? You are who you are! But then people say to me, "Oh, you're really dreadful, how would you know?".
I loved Hank Kingsley. He was very real to me. There was just something about that character. I really believed him. I didn't think he was a buffoon. I understood the inner workings of him, so I sort of felt sorry for him, the poor guy. He was very important to me.
The script is like music to me. I approach it like it's a musical piece and I hear how it's supposed to sound when people say the words. There's rhythms and there's intonations and things, and so, when somebody comes in and hits the notes that I hear, I go okay. Or, they come close enough, and then I'll say "Well how about you try it like this?" and if they have a good ear and they can pick it up, then I think okay, they've got it.
I don't know how much of a natural human I am. Y'know, the truth is, I never set out to do that, and I don't think of myself like that. I don't think like that. It's not really about promotion - I don't really understand the idea of promotion, talking to a camera for more money. That's just money. And I like money, don't get me wrong. I don't know. I don't get it. I don't understand it as much as you don't understand me, I think.
I think everybody has a hard time connecting, but as you get older and you want more and you expect more and you know more, it's just different. If you start wanting too much from it without it naturally unfolding, then that makes it bad. If you start not wanting anything, then you are not serious. I mean it's just this conundrum of issues.
I think Splash made people realize that I was still alive, and I think I inspired a lot of people. I have people coming up to me all the time in the airport saying, "Hey, you inspired me to learn how to swim!" "You inspired me to start moving around more." "You inspired me to start doing more for myself." So that was good. But mostly I took it because nobody had given me a job. And you know what really matters in life, right?
Have you ever been in love, Hadrian?” “I’m not sure. How do you tell?” “Love? Why, it’s like coming home.” Hadrian considered the comment. “What are you thinking?” Bulard asked. Hadrian shook his head. “Nothing.” “Yes, you were. What? You can tell me. I’m an excellent repository for secrets. I’ll likely forget, but if I don’t, well, I’m an old man in a remote jungle. I’m sure to die before I can repeat anything.” Hadrian smiled, then shrugged. “I was just thinking about the rain.
I believe in the human spirit. And usually the people who are following me - my fans and things like that - are like-minded people, in that regard. They like to hear about people being in pain, but that are okay, and people feeling like they can't go on, but then they find a reason to go on. How do you marry someone and love them, and then they die? How does that happen? Why are we on this journey? They want to talk about things, and they want to understand. So, this is the perfect vehicle for that.
I think for most actors, because we sort of have to tell ourselves this, we always say, 'Oh, it doesn't mean anything to win an Oscar!' It certainly isn't a goal that you want to set yourself up for, because then you're just setting yourself up for disaster. Because how many people actually win an Oscar?
I think 'Shade Room,' it's a different me. You know, I think it's more on the lyrical side, talking about my life and how I really feel. You know, all these things outside of football. And people really get to look at how I feel about things or how I look at certain things. It's not just a song, more so me just telling people how I feel.
I just think that knowing about your body at any age, whether it's educating yourself on fertility, getting mammograms, going through puberty - whatever it may be, is really important. I just really encourage women empowerment and being comfortable talking about these issues.
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