A Quote by Jeffrey Tambor

The first time I met Garry Shandling was my audition for 'The Larry Sanders Show,' with Garry and his casting director Francine Maisler. I can recall every minute of it. He was gracious and kind, and he read with me. He was terrific.
I was working with Peter Tolan, who was my writing partner on those two [Rescue Me and The Job], and he did The Larry Sanders Show with Garry Shandling, and he always said that the second season is better because you know the actors.
What can I say about a world without Garry Shandling? This is where I need Garry. He would have something pithy, and there would be a laugh, and your heart would break at the same time. He changed my life.
I started a radio show where I interviewed comics. And I interviewed Leno and Seinfeld and John Candy and Father Guido Sarducci and Garry Shandling, all when I was 16. And they kind of told me what to do.
A lot of the stuff that's happening now, I can trace back to 'Death of a Salesman.' Francine Maisler, the casting director, saw 'Death of a Salesman' and called me in for 'Unbroken.' The casting director of 'Normal Heart' had seen 'Salesman' too. I look back on it now, and it's like one thing led to another; it was a chain reaction.
The Nanjing games are homework by Garry Kasparov and me, [...] Today's game was provided by Garry.
Once, after a long week, I felt so insecure that I decided to make a list of people who thought I was funny even if I didn't think I was. At the top of the list, I wrote, 'Garry Shandling.' His early praise protected me like a comedy-writer version of Harry Potter's scar.
Garry Shandling's stand-up specials were masterpieces of tightly crafted stories that delivered both hard jokes and hard truths. He was neurotic and self-deprecating, and his observations on life cut deep.
I was... 15? And Garry Marshall, who had many, many seasons in the sun and a very long career, was in the middle of the brightest of all his seasons - I think he owned network television - and it was his next thing, and he was directing [Mean Jeans ]. And I thought, "If there's anyone who can bring comedy out of a designer jeans shop, it's gotta be Garry."
Garry Shandling is someone I've publicly gone gay for, for jokes. Oh and anyone in the Twilight movies. I don't know any of their names, but all of them. The wolves, the vampires? They're all fantastic.
Most of us got jobs right after 'The Larry Sanders Show' because of 'The Larry Sanders Show.' I know that for a fact for myself.
I definitely learned to embrace the quiet moments onstage from Garry Shandling - relaxing and not fighting with the crowd, not raising your voice, not ever trying to win them over.
Garry Shandling in particular - really had the concept. He really knew it, and it was done so lovingly. He would go beyond the joke, and sort of go into the character. His "funny" was very different, and I really appreciated it.
I always thought it was important to overdeliver, and when I got one of my first jobs, writing jokes for Garry Shandling when he was hosting the Grammys, I stayed up all night and wrote a hundred jokes, and I thought, "I'm always going to be the person that gives them more than they requested, and that's why they'll want to keep me around."
I was always the Class Clown and over time became very good at it. I started doing comedy on stage at the Dallas Comedy Corner where I honed my skills by watching guys like Garry Shandling, Robin Williams, Jay Lena and more.
I'm basically a writer, it's who I am. I direct and I like theatre directing very much. But I've done 17 movies, they don't say 'Let's get Garry, he'll make a helicopter shot,' they say 'Get Garry, he'll fix the script.'
Garry Shandling has always been a pioneer of… meta entertainment. He's always been a defender of the creative right to use the frame as part of the painting.
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