A Quote by Gillian Anderson

I will only take something or agree to do something that I feel like I understand, and inherent in understanding is empathy. — © Gillian Anderson
I will only take something or agree to do something that I feel like I understand, and inherent in understanding is empathy.
I would then say that there are two kinds of feeling. The first is to feel in the sense of concentrating your emotions on something immediately available for your understanding: you make your understanding out of the emotions you have about it. The second is to feel in the sense of being affected without trying to understand: something is felt, you do not know what, and it is more important to feel it than to try to understand it, since once you try to understand it you no longer feel it.
Something as important and central and encompassing as empathy can't be all bad. I think empathy plays a role in intimate relationships, where you might want your partner not just to care about you or understand you but to feel what you feel.
Each painting, I feel like I kind of might have gotten something. If I feel like I totally got it, there's probably something wrong and it's not finished. And if I really feel like I understand it then I'm done with these paintings and I'll have to do something else.
I think there is just this inherent understanding between us at a subconscious level when we play. It's like we anticipate each other's next move before it's made and we all land together somehow. It's that "something" that really good bands have that makes what they do unique. It's also something that is easy to take for granted, especially as the years spent performing together go by.
I believe that if you can discover something of the truth of a person, then you will start to understand, and to understand is to move towards, if not like, then at least an empathy of some kind.
There's an inherent responsibility actors feel when portraying something that actually exists in the world. It's arguably something that not all actors would agree on because this is a craft, but for me, it's the emotion of what a character is going through that makes the performance what it is. We have a responsibility to bring those emotions to light.
If you connect emotionally with the plight of those characters, ou feel what they feel and you walk away with a sense of understanding and empathy, and hopefully, something has been illuminated for you. And I tink that's what happendd for a lot of readers with my novels.
As a species, we're not only wired to choose today over tomorrow, but we hate to feel like we're losing out on something. The bottom line is, if we feel like we're losing something we avoid it, we won't do it. That's why so many people don't save and invest. Saving sounds like you're giving something up, you're losing something today. But you're not.
It is the duty of the human understanding to understand that there are things which it cannot understand, and what those things are. Human understanding has vulgarly occupied itself with nothing but understanding, but if it would only take the trouble to understand itself at the same time it would simply have to posit the paradox.
When you take a break from something you love doing, you just feel like it's time to get back into it; you feel like you've been missing out on something.
I do feel like I'm in this lucky position where I can write something and people will read it, and I feel like I should say something that's probably worth saying... I feel like it's something worth saying, and one more person saying it is better.
Sometimes I'll go for something more because of the story, or more because of the director. But, generally, I have to feel like it's something that I have a real sympathy for - a person that I can completely go, "Oh, wow, oh, I'm there." Otherwise I don't feel like I will be able to pull it off at all. I know I haven't done everything very well in the past; some things have worked and some things haven't. But I need to feel like I can feel about the person, understand that person, I suppose.
I agree with you that it is important to examine our presuppositions, throughly and once for all, in order to establish something solid. For I hold that it is only when we can prove all that we bring forward that we perfectly understand the thing under consideration. I know that the common herd takes little pleasure in these researches, but I know also that the common herd take little pains thoroughly to understand things.
I feel like there is a real lack of empathy - not just in American society, it's definitely happening in Britain as well - and it's heartbreaking that people can see something and not feel it.
I can't even tell anyone how it feels when I'm acting, I don't mean to say that I don't have to try. But there's something in my heart that explodes, and I feel like I understand. When I'm acting, I feel like so in control and so centered. This is something that I solely get from acting and music. It's like love itself.
If you serve that God, all the others will be taken care of. My quote is: 'The only way to communicate is to understand what it is like not to understand.' It is at that moment that you can make something understandable.
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