A Quote by Jim Brown

It doesn't take science to know that when you have head-to-head collisions, there's going to be some effect. — © Jim Brown
It doesn't take science to know that when you have head-to-head collisions, there's going to be some effect.
As long as we're having contact and as long as there are collisions, there's going to be head injuries. What the long-term consequences are of that, we're beginning to learn, and that definitely will have an impact on the game as we know it.
As long as we're wearing helmets and shoulder pads - there's collisions between these big, physical, fast guys - head injuries are going to be a part of it.
I know that I'm going out there, and I know that I am going to get hit in the head. I know that's part of football. That's like a firefighter knowing he is going to go into a fire at some point. You know you are going to be put in danger's way, and you accept that risk, and you do it.
My friend had a funny remark; he told me everybody has something - some people have a big butt, some people are insecure and at least you know what it is, even if it's a lump on your head. I know I have a lump on my head.
We need women who are at the head of a boardroom, like at the head of the White House, at the head of kind of major scientific enterprises so that little girls everywhere can then think, you know what? I can do that, I want to do that, I will do that.
There is a certain head, and that head you have not. Now this being so, there is a head which you have not; therefore, you are without a head.
The movie is usually, for me, something organic that grows all the time. I sit home and write it, and I'm in an isolated, four-walled environment, and I don't know what's going on. I just write it, and it's appearing in my head in some idealized way where every single moment works, and every little thing is perfect, because it's in my head.
I have some issues that I don't know if they will become issues. I have some things in my head, I forget things. I can't turn my head a lot or my brain crashes. I have back and wrist pain.
Herman Melville said that artists have to take a dive and either you hit your head on a rock and you split your skull and you die … or that blow to the head is so inspiring that you come back and do the best work that you ever did. BUT you have to take the dive and you do not know what the results will be.
At great, great remove sit the head of General Electric, the head of News Corp, the head of Viacom, or the head of this giant international corporation that wants these ratings.
As for the blood and the head business, the blood and the head work together and what is not first in the blood can sometimes reach it by going first through the head and what is wrong in the blood can sometimes be tempered by the head.
As a journalist, you have to have multiple sources and verifiable science, and when you've done that and satisfied the most skeptical voice in your head, you have an obligation to ride through the streets - let people know what's going on.
I knew immediately something was terribly wrong, but you can know that and not allow the thought in your head, at the front of your head. It dances around at the back, where it can't be controlled. But the front of the head is where the pain begins.
I think I jumped the gun a bit on head coaching. I got named a head coach at 23, and I really didn't know what I was doing. I remember getting that job and going, 'Oh my God, they gave me the job.'
I'm a head-shot photographer. I have people come to my apartment, and I take their head shots.
To get the film in your head on the screen, first you have to take it out of your head and explain it to everyone who is working with you. This will take work and planning.
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