A Quote by Jim Gaffigan

Why do you have to be out of town to write a postcard? I want a to write a postcard to my neighbor: "I still live near you!" The guy sees me go into my apartment, flips the card over, it's just a picture of me holding a rifle.
Whenever I'm out of town for at least a week, I feel like I should write a postcard or something, but you can be a genius, you try and write a postcard you come across like a moron anyway: 'This city's got big buildings. I like food. Bye.'
Overall, I just love performing so much that when I write, I want to write for me. I kind of learned that on 'Mr. Show,' that even in an environment where you can write whatever you want - which is what that environment was - I realized, 'Man, I still want to be the guy out in front.'
That's why when I send a postcard I quiz people. "Hey, did you get that postcard?" "Yeah, yeah yeah." "Well what'd I say?" "Uh, you were havin-" "I was in jail"
I write the script; nobody sees it, not the people that put the money in the picture. I cast who I want, and make the film. That's why I've always felt the only thing standing between me and greatness, is me. There's no excuse for me not to be great except that I'm not.
I was a small business owner, father, and husband just living out in the suburbs. I kind of had a boring life until Post Secret came and turned that upside down. I printed up 3000 self-addressed postcards and handed them out to people on the street, inviting them to write down a secret on that postcard anonymously and mail it to me. I got a lot of surprises.
Eleanor hadn't written him a letter. It was a postcard. GREETINGS FROM THE LAND OF 10,000 LAKES it said on the front. Park turned it over and recognized her scratchy handwriting. It filled his head with song lyrics. He sat up. He smiled. Something heavy and winged took off from his chest. Eleanor hadn't written him a letter, it was a postcard. Just three words long.
When I got in trouble, my mom would make me read or write - I would have to write my name over and over and over again. It gave me great penmanship, but I also just liked to write. Every time I would go to the store, I would buy a notebook. I had thousands of them.
There just seems to be more acceptance now of... other kinds of British films, than the picture-postcard ones.
There just seems to be more acceptance now of other kinds of British films, than the picture-postcard ones.
I used to write on pads with a pen but had trouble reading the words the next day. Years later, Bob Dylan taught me to just write and write on a laptop computer. Then I'd print that out. When it was time to write a song, I'd go through the pages and sing melodies to words that moved me.
The postcard is sacred to me. It makes me sad that no one sends them very much anymore because of email and texting. I still like to buy them, but they've lost their original function and now just seem like reminders or mementos of what they used to be.
Just as in writing, there are novelistic and sort of pedestrian ways of telling a story, to write a postcard with your little pocket camera and put it on websites. I think that's where the most exciting kind of imagery and content is being recorded and exchanged today.
I don't see myself as a movie maker only. When I can do a picture, I do. But I don't work like a business, in pictures. I am not obliged to make one picture after the other in order to live. I write books, I write for comic books, I give lectures... I live. And when the opportunity comes to do a picture, I do a picture.
It's hard enough for me to write what I want to write without me trying to write what you say they want me to write which I don't want to write.
It's real easy for me to write a lot of stories. I just go and I live through something, and I go home and write about it. It's that quick.
Don't ever forget the words on a postcard that my father sent me last year: "If you win the rat race, you're still a rat.
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