A Quote by Jim James

The gospel funk soul era, that's what I'm obsessed with - pretty much all the '70s through early '80s. — © Jim James
The gospel funk soul era, that's what I'm obsessed with - pretty much all the '70s through early '80s.
My personal style is a big mix. A lot of it's pretty vintage. I love vintage looks. I'm obsessed with the mid '60s era, even '70s, it was a good era for clothes, hair, music, and cars.
Seeing the space future through science fiction can be difficult. Much science fiction of the early era, the 1950s through the '70s, took an expansionist view.
I always say that I was born in the wrong era. I should've been born in the '70s or '80s when love meant so much more than it does today. In this busy world, we forget to find each other, fall in love, and go all the way for our soul mates.
I was into fantasy more than horror. I was growing up in the mid-'70s through the '80s, and I also got a healthy dose of that classic era of film.
When I began writing poems, it was in the late 60s and early 70s when the literary and cultural atmosphere was very much affected by what was going on in the world, which was, in succession, the civil rights movement, the antiwar movement, and the women's movement in the 60s, 70s, and into the early 80s. And all of those things affected me and affected my thinking, particularly the Vietnam War.
I fell in love with funk music through my father - Funkadelic - as well as soul and classical early on.
The 70s and the 80s are the tastiest era for us.
My tastes range all over the place, from vocal standards to Motown to 70s funk & soul to 80s pop to film scores to artists like R.E.M., Ben Folds, Prince, Annie Lennox, the Police, Elvis Costello, Cat Stevens, the Ditty Bops, local bands that friends of mine are in, and the list goes on... I have no single favorite genre or artist.
What isn’t on my iPod playlist? I have very eclectic tastes. Jazz. Classic Rock. Hip Hop. Ska. Soul. Electronica.World Music. Funk. Blues. Chamber Music. Reggaeton. Gospel. And a whole lot of Prince. (I am a Minnesota gal through and through.)
I love New York. I lived there all through the '70s and have lived in L.A. since the early '80s but come back all the time to do theater.
The '70s are my favorite era; I'm obsessed with the fashion, hair, and music from that time.
It got to the point in the late 70s and early 80s that I was spending so much money buying golden age comics that I could only justify it if I got work in the media.
Jazz stopped being creative in the early '80s. After your acoustic era, where you had the likes of the Miles Davis Quintet, when it gets to the '70s it started being jazz fusion where you had more electronic stuff happening, then in the '80s they started trying to bring back the acoustic stuff, like Branford Marsalis and the Wynton Marsalis & Eric Clapton sextet. It started dying down from there. Miles was still around in the '80s and he was still being creative; he was playing Michael Jackson songs and changing sounds, but a lot of people were still trying to regurgitate the old stuff.
What strikes me about Toronto is that Toronto's great misfortune was to have too much money in the late 70s and early 80s, and consequently, it built in the style of those periods, which is hideous.
In the '60s, '70s and '80s, everybody was pretty tense on the set.
I've been a baseball fan in the early part of my life, so through the '70s and the '80s, I was a huge fan. I actually followed the Dodgers back then, back in the Kirk Gibson years, Steve Garvey.
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