A Quote by Jim Carrey
I do whatever [comedies] I'm attracted to. It's like the woman who stands out in the crowd, who for some reason you notice, that's the one you're supposed to dance with at that time in your life. That's just what it is with scripts... they find you when you're emotionally in the right place to do them.
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For whatever reason, luck and word of mouth - my comedy career couldn't have started better. I went to Edinburgh, selling out this 300-seater just because I got the right place, right time, right venue, right buzz, right reviews early on.
The only time I feel pressured is when some woman's husband comes over and says, "Will you go ask my wife to dance? She's a great dancer and would just love to dance with you."Suddenly there's a crowd of people standing around us and they expect that they're about to see Fred and Ginger. Here the woman and I have just met, and these people think that it's showtime. That is the only time I think it is really embarrassing.
I don't get the great story line, action, mystery scripts; I get comedies. And relationship comedies are what I do. It's what attracted me to American Pie.
My parents took me to that I think is just one of those near-perfect comedies is Young Frankenstein. Gene Wilder and Mel Brooks, they're at the height of their game. The two of them working together was amazing. Yeah, just a terrific story. You get emotionally involved. Jokes all the time, jokes that come from story. Like, they don't have to go wildly out of their way to make the jokes. It's a parody of Frankenstein movies, but also it stands as one of the great ones, one of the great Frankenstein movies.
I think, when you're a young composer, you're told constantly that what you're supposed to do is figure out what your voice is. "What is your thing supposed to sound like?" You know: "What's the thing you do," that everyone can recognizably tell from a long distance is you and then you're supposed to be in search of that marker and you're supposed to find it and you're supposed to live there for the rest of your life. And it seemed to me, from a young age, that was what I was encouraged to do. You find a sound and that's your sound! That's what you do.
I see so few scripts just because, for whatever reason, there just aren't that many good scripts with a young, teenaged girl. So it's always been sporadic. People don't know what to do when writing a story with teens that takes place now - they think you have to make a bunch of references to Facebook.
You think he's going to like you better, but then one day you look in the mirror and realize you've changed yourself - physically and emotionally - into a woman who's totally different from the one he was attracted to the first place.
Most of them... most of us never figure it out. Bad dream, they think, or good one. Funny rash, never really goes away, but Doc says it's fine, nothing to worry about. Why dwell on it? But some people, they just can't let it go... Some people drink themselves out of school trying to find it again, trolling through bars where the shadows are so greasy they leave trails on the walls, just to find a way in, a way through. Some people forget too that you're supposed to stop sleeping, you're supposed to have a life in the sun.
I realized that whatever your path, whatever your calling, the most damaging thing you can do is let other voices define you and drown out your own. You've got to block them out and find that place deep inside you, shaken but still intact, and hold on to it.
I don't like high concept movies very much, and the kind of scripts that I would occasionally get offered tended to be really high concept comedies or romantic comedies. I just don't like it. I like much more realistic movies with actual psychology and behavior in them.
When you as an American have freedom, the freedom encompasses a lot of things, including the right to do dumb stuff, to do destructive things. You have that right, and liberals somehow, for some reason want to just take control of every aspect of your life as possible, and every time you accede to letting them have it, or big government - you're just letting them have more and more control over your life. Where do you stop that? What's wrong with people regulating themselves? Where did that vanish to?
I am strangely attracted to the hooligan crowd. I find them actually less dangerous than some of the people I work with now in Hollywood.
In real life, we are all on our devices. We might go to a place where we fit the crowd and could meet someone. But, because we are all on our phones, you might not notice the cute boy behind you in line for coffee, and he's not going to notice the gorgeous girl sitting outside. So, we might as well notice them on our phones, on Tinder.
Being a fiction writer is really like being an actor, because if you're going to write convincingly it has to sound right and play right. The only way that works is to emotionally and technically act out and see the scene you're in. There's no better job in the world, because when I sit down at that computer I'm the world's best forensics expert, if that's what I'm writing about that day. Or I'm some crazed psycho running down a dark alley. Or I'm a gorgeous woman looking to find a man that night. Whatever! But I'm all of those things, every day. How can you beat that?
If we're a natural man, we're attracted to a woman. You are our natural partner in the act of procreation. Now there's a time and a place for everything, but when a fine-looking woman, with a fine-looking form walks down the street, a man could be working with a jackhammer, and when he spies that woman, he'll watch her as she walks. What kind of thought comes up in your mind? You don't say, "Oh, what a great creature." Like a dog you may say, "Man, I'd sure like to have some of that!" That's not what you want.
When thoughts arise, as soon as you sense them heading on the road of desire, bring them right back onto the road of reason. Once they arise, notice them, once you notice them, you can change them. This is the key to turning calamity into fortune, rising from death and returning to life.
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