A Quote by Jim McKay

Of course the Munich tragedy was the biggest event in my career and the most terrible. — © Jim McKay
Of course the Munich tragedy was the biggest event in my career and the most terrible.
Clearly, the oil spill in the Gulf is a terrible tragedy; we lost 11 lives on the rig, and their families are suffering, and it's also an economic tragedy for our state and ecological tragedy for the Gulf. But Sept. 11 was a different type of event: it was an intentional attack on soil.
The memories of the Munich games for me are of triumph and tragedy.
The Super Bowl is the biggest event in America, the biggest event in television. The preparation and all of the behind-the-scenes detail is immense. The Final Four is just a fraction behind that in terms of the preparation.
My biggest, you know, regret is what happened in Benghazi. It was a terrible tragedy losing four Americans - two diplomats and, now it's public so I can say, two CIA operatives.
If I'm doing an event, if it's a charity event, where it's a walk-around event, where I gotta put a thousand small plates out in the course of a four-hour event, I gotta make sure I can do something that I know I can produce, that's going to be consistent and good all night long.
I do like 'Munich'.It's a really wonderful film. I mean, there's 'Schindler's List', there's 'Saving Private Ryan'. But 'Munich' - of all the other films, Munich would be the one that's really, really amazing storytelling.
It's all a terrible tragedy. And yet, in it's details, it's great fun. And - apart from the tragedy - I've never felt happier or better in my life than in those days in Belgium.
We just sent our condolences to the President of the United States and the American people on what is a terrible, terrible tragedy.
With Katrina, it's almost like the sequel that doesn't live up to the original. It's certainly a shocking event and a tragedy, but somehow as a big event it doesn't seem to carry as much weight with the public as 9/11 did.
What surprised me most about the Donner tragedy was that, given the terrible circumstances, how anyone survived at all.
When you get in the middle of a career and you're successful, people come and offer you things. My biggest fear was that if you try to do something else and you're trying to build your music career, and then you say, "I'm going to go do a movie," and you're terrible, you can really hurt your music career because as a musician, the goal is to be cool. You're playing the guitar and you're in front of all these people and your vibe is to be as cool as you can possibly be.
Really fantastic film, 'Munich'. So yeah, if I would say, what's the most underappreciated film, I think 'Munich' would be the one.
How do you feel?” she asked, trying to fluff his pillow. “Other than terrible, I mean.” He moved his head slightly to the side. It seemed to be a sickly interpretation of a shrug. “Of course you’re feeling terrible,” she clarified, “but is there any change? More terrible? Less terrible?” He made no response. “The same amount of terrible?
The biggest surprise for most people in dying is to realize that dying does not end life. Whether darkness or light comes next, or some kind of event, be it positive, negative, or somewhere in between, expected or unexpected, the biggest surprise of all is to realize you are still you.
Michael [Douglas] was just leaving the TV series The Streets of San Francisco and he said, 'Dad, let me try it.' I thought, 'Well, if I couldn't make it...' So, I gave it to him and he got the money, the director and the cast. The biggest disappointment for me, I always wanted to play McMurphy. They got a young actor, Jack Nicholson. I thought, 'Oh God. He will be terrible.' Then I saw the picture and, of course, he was great in it! That was my biggest disappointment that turned out to be one of the things I'm most proud of because my son Michael did it. I couldn't do it, but Michael did it.
There's comedy in tragedy, and tragedy in comedy. There's always light and dark in most jobs. Whether it's framed as a comedy, drama or tragedy, you try to mix it up within that. You can work on a comedy and it's not laugh-a-minute off set. You can work on a tragedy that's absolutely hilarious.
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