A Quote by Jim Butcher
I can't believe I'm about to say this," I said. "So think real careful about where this is coming from. Have you people ever considered *talking* when you've got a problem?
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You know I told the Lord, "Why can't I just move in healing and forget talking about all that other stuff." He said: " Because, Todd, you've got to get the people to believe in the angel". I said, "Why do I want people to believe in the angel. Isn't it about the people believing in Jesus?" He said, "The people already believe in Jesus but the church doesn't believe in the supernatural."
If I'm a busboy in Philadelphia, then I have to be careful about what I say. But if I'm a public tycoon like Jerry Seinfeld, and I got a billion dollars in my pocket, he's got to be nuts to wonder or worry about what people are going to think.
I think the oddest thing about the advanced people is that, while they are always talking about things as problems, they have hardly any notion of what a real problem is.
Katherine Johnson never complained, it just was what it was. She just said, "I just wanted to go to work and do my numbers." And she stopped right there. I think about that as a Black woman in Hollywood when I'm asked about diversity. I hate when people say diversity because the first thing you jump to is Black and white. When you talk about diversity, you're talking about women being hired in front of and behind the camera. You are talking about people with disabilities, the LGBTQ community...so I hate when people think about diversity.
I think the thing I had to be careful about while writing a book was not to say anything that was revealing about other people that they would be uncomfortable with. I didn't want to make people angry - that's a real risk.
She [Hillary Clinton] knows the people well. I think there is - you know, also talking about breaking down barriers and talking about that, whether we`re talking about that in economic terms. I mean, she`s the only person who has been out there talking about white privilege and talking about sort of the intersectionality of some of these issues.
There is another side to me which people don't often see, but it's very hard for me to show that. When I do interviews, I'm talking to people I don't know and when you speak to a stranger you don't open up, do you? In my position, people are always looking for something to say about me. And anything I do say, given half-a-chance they'll turn it round into something spectacular so I've got to be very careful. That's why it's only my friends and family who know the real me. Now my wife, Lainya, she could tell you a few stories.
It's important that comedians talk about difficult and dangerous subjects; you have to be very careful that you don't just hear the subject heading and think, oh, this is bad, they shouldn't be talking about that. You have to hear what's being said.
I got into an argument with someone because I said I think 2Pac will be regarded as a great poet. They said he was just a punk gangster. People said the same thing about Francois Villon, and he's now considered the best French Romantic poet of all time.
When I was a kid in junior high, I had an assignment to discuss how to rescue poor people in India. I remember my teacher at the time considered it an impossible problem. Now, we're not talking that way anymore. We're sure not talking about that for China. They're rescuing themselves thanks to globalization.
One of the last times that we played in the area before I wrote "Allentown," I remember a guy coming up to us and saying, "You're never coming back here." I said, "Why do you say that?" He said, "Well, you're probably gonna become a big star. Nobody who ever becomes big comes back here." And I felt so sad for this kid, he seemed so bitter about it. I said, "Well, I'm coming back, no matter what."
That's what David Caruso said to me. We were talking about the whole Emmy thing, and he said that one of the things about awards in this town is that a lot is about the drama - like the drama of the performance. And he said "Your show, The Wire, looks so real, it almost looks like a documentary. And people who aren't artists - a lot of people who vote for this stuff - don't get it."
I believe my first duty is to survive. And I'm not just talking about criminals coming into my home. I once seriously considered getting a gun to protect myself from the police. If I need a weapon to continue living, I'll get one. And I'll use it.
I love acting. I just love it. It's in my bones. I remember when I was a kid, I watched an interview with Dennis Hopper talking about Jimmy Dean on the set of Rebel Without A Cause. Jimmy said to him, "If you've got to cry in a scene, you've got to cry. Make it real." And that's all that I believe in.
[People] need to find words that can reconnect them with each other. That is the gift of good liturgy, yeah. We're not talking about fluffy stuff. We're talking about real life for people around the world. Our prayers should be said like the daily breath that gives us life.
People say 'I love Artists', but what they really know about Artists? They've ever thought about sharing the real madness with us? I believe those extreme passions/emotions in me separated from the real world is the sauce to pull out the inspirations out of me that touch the core of people's hearts, which is usually wandering about deep inside of you unconsciously covered with the social taboo called 'common sense'.
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