When I was covering games, and this is back in the '60s, you'd go into the manager's office. I can still visualize Earl Weaver from the Baltimore Orioles. I can just see Earl now in his underwear... with a beer in one hand and a cigarette in the other, holding court. And that was the way it was done then.
I remember one time going out to the mound to talk with Bob Gibson. He told me to get back behind the batter; that the only thing I knew about pitching was that it was hard to hit!
I was a really big - I was a big fan of pitching staffs in general growing up, not necessarily teams. So I liked the Braves pitching staff of Maddox, Glavine, and Smoltz, and I liked the A's pitching staff with Zito, Hudson, and Mulder.
A major league pitching coach is a really difficult job. It takes a big commitment in terms of time, travel and workload.
I played Little League. I was a 'pitcher.' But we had a pitching machine, so I was just basically an 'in-infield' shortstop because all I got to do was field bloopers six feet from the plate. I couldn't hit, so that was pretty much my entire job.
The thing I love about hip-hop is that it's so creative. It's so creatively rewarding. When you hit it, and you hit it big, there are no words.
There ain't no genius here. Strategy in baseball is overrated. People say, 'That Weaver, he plays for the long ball too much.' You bet I do. Hit 'em out. Then I got no worry about somebody lousing up a bunt, I got no worry about the hit and run - and that's really overrated - I got no worry about base-running errors. And I can't screw it up myself.
Pitching in the Olympic Games, Pan Am Games and Central American games prepared me to pitch at the big-league level.
The first sport I played was baseball. I remember being on the Little League team and someone pitching the ball to me for the first time. I was ready to no longer hit the ball off the tee, and an adult pitched it to me underhand.
Experience is a big thing when playing in the Premier League - it's a different game to any other league.
Everybody wants to go see the big hit [at the theatre]. Not because it's any good. Because it's the big hit and everybody wants to be able to talk about the big hit.
Baseball is all about pitching, and we know we have to improve our pitching.
Pitching. You're pitching yourself constantly which is probably why there are so many plays about sales. I think also it's like life.
Being from New York, I wonder why am I inspired by bluegrass and Earl Scruggs? But when I look at the whole history of the banjo, I feel really good about it, including the Earl Scruggs part.
In my time, we had little league and junior league or whatever - before that, there's the sandlot. Kids played baseball wherever you can make a space. We played tackle-football on the street. Now we play basketball in the studio. We have a hoop. But we also have a pitching machine.
In baseball, you can hit 40 home runs on a single-A-league team and never get paid a thing. But in a hedge fund, you get paid on your batting average. So you go to the worst league you can find, where there's the least competition.