A Quote by Jim Parsons
My choices in projects have all been character or role-based, and on a financial level, it's obvious: as an actor on a TV series, I get a wonderful paycheck, and a consistent paycheck, which doesn't always happen when you're doing theater or movies.
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How is Hillary Clinton going to lecture me about living paycheck to paycheck? I was raised paycheck to paycheck.
I have to tell you, I live paycheck to paycheck like most Americans. It's very difficult for me to say, 'Hey, I can give up my paycheck,' because the reality is, I have financial obligations that I have to meet on a month-to-month basis that doesn't make it possible for me.
I've pretty much always lived paycheck to paycheck. I never considered it struggling, but it has always been a high-wire act.
A lot of millennials really want a company that signs their paycheck, or whoever it is that signs their paycheck, to be an entity that reflects to them in a way that is consistent with their personal idea of who they are.
If someone writes a stereotyped trans character, it's really harmful on a macro level in solidifying public perception of trans people because we're such a small minority group but it's also detrimental to the life of the actor, who needs the paycheck even if the role is bad.
I realize how lucky I am to be able to go a couple months without a paycheck, but a lot of industry people go paycheck to paycheck.
I think there's a big misconception out there about actors and the choices they have. I think if you're one of a lucky five, maybe, you're that privileged, but most of us are living paycheck to paycheck and we're really extremely grateful for opportunities.
In my house, it is always a scramble from paycheck to paycheck.
Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
You either go through your life working for someone and getting a paycheck - and it can be a damn good paycheck, and I am not complaining as someone who has always been a salaried employee - or you can go out and become an entrepreneur.
There's something very soothing about the simplicity of doing what's right in front of you: paying the rent, buying groceries, and when there's a little extra for a treat like cinnamon rolls, whoopee! When you live paycheck to paycheck, you only have so much to lose.
Directors typically have three choices - you do a studio movie and get a paycheck up front, you do an independent movie, which is for your heart and you don't get paid up front and probably don't make any money on it, but it hopefully goes to Sundance and is more of an art movie, and then you do TV.
I still have to work paycheck to paycheck. Being in show business doesn't indicate that you're a 'success,' in my opinion.
I live like most of the people in my district: paycheck to paycheck.
I never once had a regular paycheck. Not for more than six weeks in a row and for the most part not even that. I still haven't. The notion of some whistling kid with a mail cart coming down the hall and handing me my weekly paycheck is something I've only seen in Matthew Broderick movies.
I got my first big paycheck for 'My Best Friend's Wedding.' This was in the days when you actually did get paid to have a supporting role. It just doesn't happen like that anymore, but this was in the '90s. It was the golden age!
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