A Quote by Jim Parsons

The whole time I've been an actor, from early in Houston, my goal has been to work - to keep doing it. I feel at my most satisfied as a human being when I'm working on a role.
Success for me is to feel happy - 80 percent of the time. That's been my goal in life. I think that comes from my father. He's a very optimistic, happy person. I'm not quite sure if I'll ever feel this, but I want to know how to be happy. I'm happy when I'm at work. I'm happy when I'm with my family or my dog. But there's always that feeling of, I'm not satisfied. I have that thing in my stomach where I just need to keep striving for things. In my mind, I want the fairy tale.
My goal is to work. That's the goal of most actors or performers: to work and keep working, and do the best you can, and keep growing and changing, trying to improve your craft.
As a working actor, all I want to do is work. That's it. It's terrifying when you don't work. It's very hard when you don't work. There have been times when I've been out of work for like six months. I feel theatre to me is like manna.
This is my dream. I've been doing this since I was a kid, and I've been blessed to work and be a working actor, and there's not a day that goes by that I'm not thankful for that, but my priorities have definitely shifted.
Movie directors, or should I say people who create things, are very greedy and they can never be satisfied... That's why they can keep on working. I've been able to work for so long because I think next time, I'll make something good.
I'm so blessed to have been a working actor. If they still would like to make me a superstar, I'm available, but so far, being a working actor has been great. It's taken me everywhere.
When you get many opportunities early on, and you have people who have been working for a while counting on you, you have to at least pretend that you know what you're doing. So any actor that's pretending, you start to develop philosophies. Without years and years of experience, you kind of go with an attitude that you know what you're doing. And so I think right around that time, I was kind of at the peak of rigidly thinking that I knew how to work in film in a way that I wanted to. Cameron was extremely patient and generous with me.
I've always been able to work. I think it's an actor's obligation to keep working if you can.
But I feel music has a very important role in ritual activity, and that being able to join in musical activity, along with dancing, could have been necessary at a very early stage of human culture.
I started working with James [Schamus] early on, and my role as an executive producer was more about being involved in the conversations of putting the film together. I didn't have to do much work because James is the most experienced first-time director you could imagine.
And this whole period of time of gradually working at being a better guitar player and songwriter have gradually led me to the point where I feel I'm doing a clearer representation of the thing that I've been feeling inside me since I was four years old.
I've been working pretty solidly for a long time: Not that anyone would notice, you know what I mean? It's been my goal to work as much as possible, and be as unknown as possible.
I feel so lucky. When an actor that has been struggling for so long makes the transition into being an actor full-time, it is the most amazing feeling. It's just sort of like a 3,000-pound weight gets lifted from you, and you're able to mostly focus on just being an artist, which is an amazing, blessed luxury I have.
I've never been one of those actors who has touted myself as a fascinating human being. I had to decide early on whether I was to be an actor or a personality.
My goal has always been to be a working actor.
I have been working as an actor for 16-17 years now. The funny thing is I still feel awkward in communicating with the public as a star. It hasn't been long since my drama 'Goblin' ended, and I'm looking forward for some time to rest.
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