A Quote by Jim Root
You know, 'Mad Max' and 'The Road Warrior' was part of my childhood, and that's why I'm so close to it. I remember seeing those movies at a drive-in theater with my parents when I was very young.
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I love 'Mad Max' and 'The Road Warrior,' in particular - those movies are very close to my soul, you know what I mean?!
The four movies I can remember seeing as a kid were 'The Elephant Man,' 'The Magnificent Seven,' 'The Good, The Bad and The Ugly' and 'Mad Max!' Two of those are westerns. So the western genre is emblazoned on my memory from childhood, and those are two great movies.
I loved Road Warrior the first time. I saw The Road Warrior before I saw Mad Max, you know, I saw it in reverse order. And so I was, I've always been a fan of George Miller. This sequence I think got storyboarded after Fury Road came out I think as I recall. So I think, you know, we were inspired [making Maora].
The new 'Mad Max' movie takes place in a post-apocalyptic world. I have a small part in 'Mad Max.' I play the old geezer who remembers what steak tasted like.
I remember going to a theater once, and there was a stairway that wound its way out to the back. And I was very young, a small child, and I said to my mom, 'Why are those people going up those stairs?' And she said, 'You know, I don't know how to tell you this, I don't know how to explain it, but it won't always be that way, because it's wrong.'
My childhood was very difficult. I had every childhood disease and then some, but my parents didn't mollycoddle me. They left me to fight those battles on my own. I guess that was very Canadian, very stoic. But it's good. I had to become a warrior. I had to give up hope and find a substitute for hope that would be far more stable.
My childhood was very difficult. I had every childhood disease and then some, but my parents didnt mollycoddle me. They left me to fight those battles on my own. I guess that was very Canadian, very stoic. But its good. I had to become a warrior. I had to give up hope and find a substitute for hope that would be far more stable.
I think Jenny Beavan is a masterful costume designer and very deserving of the Oscar for 'Mad Max: Fury Road.'
I heard more of the stories from my mother and my granny and my aunts that would describe what they had known that he didn't often talk about. I remember seeing [grandfather] as a child. He was working in a mine that was fairly close to their home there in Betsy Lane, Ky., and it was so close in proximity that he wouldn't clean up or shower there. He would just drive back home. And I remember one time seeing him come in and it was like seeing an alien person show up because he was still covered in coal dust and soot, and it had a profound impact on me.
I remember seeing re-releases of 'Snow White and the Seven Dwarfs' and 'Bambi' in the theater very young. They had huge impacts on me, particularly the dark aspects.
I remember seeing Airplane, and even Mel Brooks movies like History of the World Part I, and just really loving that style of movies that make fun of movies. I think it needs to be done. All of these movies are ripe for being poked at.
There will be increasing temptation to watch movies where you want to when you want to, and so I'm very focused on how we innovate Illumination Entertainment to keep the in-theater experience vibrant and urgent. In part I think it's what movies you're choosing to make and why those are films we feel are best enjoyed surrounded by a group of people. I also think it's continuing to look at things technologically.
Cannot you tell that? Every fool can tell that. It was the very day that young Hamlet was born, he that is mad and sent into England." "Ay, marry, why was he sent into England?" "Why, because he was mad. He shall recover his wits there, or, if he do not, it's no great matter there." "Why?" "'Twill not be seen in him there. There the men are as mad as he.
God bless the popcorn film. Especially movies where you can take the kids, because I remember looking forward to seeing these movies with my parents, and if I can give that back, I'm gonna do it.
The biggest and most important part of our childhood was making movies. Our whole drive in life was to do this for a living, and then also to try to recapture that feeling that we had when we were telling those stories in the summer.
One of the things I always underscore when I teach criticism is that young critics, or would be critics, frequently have this illusion that if they write about music they're somehow part of music, or if they write about movies they're part of movies, or of they write about theater they're part of theater, or write about literature. Writing is a part of literature, we belong the species of literature. If you add all the music reviews together that have ever been written, they don't create two notes of music.
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