A Quote by Jim Root
I have a hard time with any sort of criticism; not because I have some huge ego or anything like that.
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Criticism is hard for me but people find hard to believe because they think I'm very tough, very strident, that I tell everybody where to get off, and how. But I've actually got a really thin skin. I don't know. It's quite pathetic. So, yeah, it's hard for me to take criticism. But I also kind of have this sense of humor on overdrive, so I don't take any of it seriously. So that sort of saves me, the fact that I think it's just all kind of funny.
Try to relax, and you will find out that you feel more tense than ever. Try harder and you will feel more tense and more tense. Relaxation is not a consequence, is not a result of some activity; it is the glow of understanding. This is the first thing I would like to relate to you: life is purposeless. It is very hard to accept it. And why is it so hard to accept that life is purposeless? It is hard because without purpose the ego cannot exist. It is hard to conceive that life has no goal because without any goal being there, there is no point in having a mind, in having an ego.
On a daily basis there are some huge ones that are, sure, from time to time, but it is helping the reader sort through all this sort of gray stuff out there.
A lot of singers don't really know who they are. They have this massive insecurity and this massive ego and they are sort of pulled between both. I mean, why do you want a lot of people to look at you all the time and listen to you? There is something going on there, there is sort of need to express and attention. It's not just ego, it's some sort of complex thing and sometimes you create characters to say something you want to say and then you just throw yourself into that.
It's very, very rare you find something really original and also because a lot of original stuff, most of the time has no chance, because it's so expensive to make something famous or put it in people's head that it's the one to see, it's like awareness has to be almost like at 80% or 90% if you make an expensive summer movie and that's very hard to do with anything an the White House naturally is in itself some sort of a trademark.
I'd like to work with some of the videogame companies for the simple fact that they obviously need some sort of writer's help. I play videogames, and lately it's hard for me to enjoy them because I'm spending all my time cringing at the corny dialogue, thin characters, and glaring plot holes.
I appreciate good criticism and I think it's really important. I don't like it when it's consumer advocacy, like how you should spend your $60. Great criticism is a kind of literature. I've written some criticism, and I really enjoy it because I think it's important for people to know that theatre is vital. Criticism is really unevenly distributed in this town. Obviously the power of the Times is discouraging. It's killing new plays, demolishing one after another.
Some ego is involved because I guess one wants to be perceived as a good clown and one puts one's name on the art; but it's so hard to do anything in life, trapped as we are in our bodies, that is purely selfless for others... somehow the self is always involved.
I have a huge ego and a huge inferiority complex at the same time.
I would hope that people didn't think I was anything like Joan! It's very hard for me because Joan says such cruel things all the time. It sort of makes me cringe every time I read them because I think, 'Who could be so horrible?' To be able to deliver those lines and do them with a coolness, yet still make her likable, is a bit of a challenge.
People are more interested in reading bombastic ideas, whether they're positive or negative. Part of me has sort of lost interest in doing criticism because of that. I've always realized that criticism is basically autobiography. Obviously in my criticism, it's very clear that it's autobiography, but I think it's that way for everybody.
I feel no obligation to teach my readers anything, to impart any sort of wisdom, to teach any sort of lesson, to instill any sort of morality. All I'm trying to do is make them and their parents laugh.
It's the difference between someone who loves you more than anything in the world giving you criticism and getting it from some bitter stranger on the Internet. What my dad said to me was the kind of criticism where I was like, "Oh, my God, I'm on the wrong track." I'm so grateful to him for doing that. He was such a no-nonsense guy in that sense.
I think these are such different films that it's hard to compare, because with Quentin we were all just like, it was like a party every day, you know, it was like that film was just like silly, it was just really for fun, it was really, it wasn't, you know, to make a huge impact. I t was just we wanted to have fun and go to work every day and do a fun movie. And this is like huge, I mean, this is like huge studio film, there's a ton of action, it's like really hard work.
I was raised in a sort of village. I have a huge family, and I think there is strength in that. It helped me to deal with some of the complications of living in the South because I always felt like I belonged, no matter what.
For me, love is a pure, unconditional, nonjudgmental feeling that I feel towards some people and some parts of nature. Most of us love, but the purest love is the one where we take ego out of the equation, and that is the hard part of love, keeping ego aside.
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