A Quote by Jim Steranko
Guy Peellaert was to Europe what Andy Warhol was to America - except Guy had more talent!
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I remember getting in the elevator for my audition and there was a guy next to me who had a backpack full of props and wigs and things, and I went, 'Oh, my God, that guy is so prepared, I have nothing, I have no props.' And that was Andy Samberg. And Andy Samberg said he was looking at me going, 'Oh, that guy has no props. He doesn't need props.' And that was the first time we met, was in that elevator.
I'm the guy who will persist in his path. I'm the guy who will make you laugh. I'm the guy who strives to be open. I'm the guy who's been heartbroken. I'm the guy who has been on his own, and I'm the guy who's felt alone. I'm the guy who holds your hand, and I'm the guy who will stand up and be a man. I'm the guy who tries to make things better. I'm the guy who's the whitest half Cuban ever. I'm the guy who's lost more than he's won. I'm the guy who's turn, but never spun. I'm the guy you couldn't see. I'm that guy, and that guy is me.
I thought it was a wonderfully conceptual act actually, to fire a replica pistol at a figurehead - the guy could have been working for Andy Warhol!
Cecil Beaton was Andy Warhol before Andy Warhol, really.
I believe that Ryan Murphy is a genius. His instincts remind me of Andy Warhol. I recently went to the Warhol museum in Pittsburgh, and you can see a lot of echoes of Andy in Ryan's work. Like Andy, Ryan's finger is so on the pulse of culture that he's ahead of culture. Their aesthetic and their vision of the world are very similar.
I believe that Ryan Murphy is a genius. His instincts remind me of Andy Warhol. I recently went to the Warhol museum in Pittsburgh, and you can see a lot of echoes of Andy in Ryan’s work. Like Andy, Ryan’s finger is so on the pulse of culture that he’s ahead of culture. Their aesthetic and their vision of the world are very similar.
Andy Warhol: I think everybody should like everybody.
Gene Swenson: Is that what Pop Art is all about?
Andy Warhol: Yes, it's liking things.
The most famous living artist in America is Andy Warhol, unfortunately.
I was a fan of Andy's since I was a small kid. I recall seeing an ad of famous people on an airplane together. It was caricature drawing. There was Muhammad Ali, there was Miles Davis, and there was Andy Warhol. I had a fascination with him since I was little.
I still think of that guy I was without a wife or kids, and I still want to entertain that guy. The lonely guy, the frustrated guy, the guy with no money - this is the guy who needs to laugh.
I take that stage, and I'm the same guy backstage as I am on the stage. And you know what that guy is. That guy is a star. That guy is a champion. That guy is the guy that put '205 Live' on the map.
I don't know that person anymore, that guy in '86, '87. I don't know that guy no more. I don't have no affinity for that guy no more. I have no affinity for the guy who said, 'I am the greatest fighter God produced.' I have no affinity for the guy who said he would try to push his [opponent's] nose bone up into his brain. I just don't know that guy. I don't know who he is. I don't know where he came from. I don't have no kind of connection with him no more.
Even Andy Warhol had a copy of '666.'
To be totally honest? I don't know if I'll keep doing more impressions. People told me I had a facility for it, and I was like, 'Okay, I'm the impression guy.' So you imagine the cast at 'SNL' is an A-Team, and you've got the explosives guy, and I'm the impression guy.
Andy Warhol made fame more famous.
Take an exhibit, in the days when we saw the Pop art - Andy Warhol and all that - tomato soup cans, etc., and coming home, you saw everything like A. Warhol.
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