A Quote by Jim Henson

It all ends in one of two ways: either someone gets eaten or something blows up. — © Jim Henson
It all ends in one of two ways: either someone gets eaten or something blows up.
You’re the most experienced investigator I’ve got who’s not tied up in something, and I can’t ask the Consort to look look into it, because A) she and Curran are working on something else and B) when the Consort gets involved, half of the world blows up.
If there are two or more ways to do something and one of those ways can result in a catastrophe, then someone will do it.
I know so many people who are eaten up by regret. It manifests itself in so many ways. They either become mentally a bit off, or they get very fat, or they are just horribly depressed.
But what we know, we who are either observers of a business we once were in and loved, or are people within it now, our business as a whole, when it is not obsessed with the business of business, is eaten up with a form of cultural conservatism which is truly amazing. Indeed, more often than not it is eaten up with pure reactionary-ism.
My brother one time after a little league basketball game, I think he messed up or something had happened in the game, ends up getting in an argument with my dad. Ultimately he gets pushed down and he ends up cutting the back of his head. He had six or seven stitches over a 10-year-old basketball game. That was tough to watch.
There are two ways of knowing if something ends badly: If you're honest with yourself, you just kind of know it. And then there's other people's reaction to it.
In perpetrating a revolution, there are two requirements: someone or something to revolt against and someone to actually show up and do the revolting. Dress is usually casual and both parties may be flexible about time and place, but if either faction fails to attend, the whole enterprise is likely to come off badly.
My father basically had two ways of judging anything. Either something was poetic or it wasn't.
I don't care whether a role is 10 minutes long or two hours. And I don't care whether my name is up there on top, either. Matter of fact, I'd rather have someone else get top billing; then if the picture bombs, he gets the blame, not me.
Have you ever been to a picnic? And someone blows up a balloon, and everyone starts tossing it around, and it's always just about to touch the ground, but someone always gets there just in time to tap it back up? That balloon, that's God, the very best in all of us, the kindness, the heavy petting, Funny Girl! ...Evil bores me. It's just one note. It doesn't sing! Oh, of course life sucks! It always will. So why not make the most of it?
There are two ways to make someone important in our lives ... we can either love them or hate them.
The real truth - like anything, you have an idea about something you might write and it changes. People reflect on it or you get other ideas and maybe your original idea is radically different than how it ends up being. It's not a theorem. You don't sit down and prove something. You start with an initial idea and it grows and grows. The math of the narrative changes. In some ways your original document and what the film ends up being are quite different.
It puts the provider in a situation of looking for ways to have someone else pick up a piece of the cost. As a result, every customer who has insurance ends up paying a 'hidden premium.' It simply adds to the health care cost burden.
Writing on the beach is not what it's cracked up to be. The sand blows, and you perspire, and the page gets all blotty and messed up, so I don't do that anymore.
Philosophy and Religion-what are they when the wind blows and the water gets up in lumps?
I can't imagine something worse than scripts being written into a tunnel, thinking, 'I don't know when this ends. I don't know.' It usually ends when people get sick of it, but I think it's great when it gets to end on its own terms.
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