A Quote by Jimmy Smits

What's on the page dictates a lot of what I do. When the words are there, it's easy. — © Jimmy Smits
What's on the page dictates a lot of what I do. When the words are there, it's easy.

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Love is easy! Kindness is easy. So I try on my Twitter page to acknowledge everyone that reaches out to me. I try to make my page - I can't control the rest of Twitter - but I try to make my page a safe place for people.
Writing a screenplay needs to be more than words on a page - and by the way, I think the words on the page are something you have to try to execute on the highest level you can; I'm not dismissing that by any regard.
We read five words on the first page of a really good novel and we begin to forget that we are reading printed words on a page; we begin to see images.
I wouldn't say I see things visually first, but what I do think is important, for a lot of screenwriters, is to not just think about the words on the page, but also the world as a whole and the vibe of the movie, rather than a sequence of scenes written on the page.
Words, words, words, a million million words circle in my head like hawks, waiting to dive onto the page to rend and tear the only two words I want to write. Why me?
He was intrigued by the power of words, not the literary words that filled the books in the library but the sharp, staccato words that went into the writing of news stories. Words that went for the jugular. Active verbs that danced and raced on the page.
When I write, the first blank page, or any blank page, means nothing to me. What means something is a page that has been filled with words.
When I knew what I had to do / I took all my notebooks, all my manuscripts / and ate them page by page / so I could take my words with me
When writing for the page, the focus is on the design - how the words appear on the page. I try to make it as direct and simple as possible.
The arrangement of the words matters, and the arrangement you want can be found in the picture in your mind. The picture dictates the arrangement. The picture dictates whether this will be a sentence with or without clauses, a sentence that ends hard or a dying-fall sentence, long or short, active or passive.
Words on the page are never prisoners of the page
I'm quite interested in what words can be, if it's very few words, and it's a kind of club track but it has a sort of uplifting or spiritual kind of feeling to it. Somehow, something bigger than just the words on the page happens when you hear it all together. Sometimes I notice when I'm DJing, I put on a lot of tracks that feature vocals. I guess for me, it's just from growing up loving songs, so maybe I'm geared slightly more towards dance music that features a song element.
Sometimes you have to say the words exactly how they are on the page, but sometimes when you improv, it only helps to get across what's on the page, and I just love working with directors who allow that.
The whole problem with news on television comes down to this: all the words uttered in an hour of news coverage could be printed on a page of a newspaper. And the world cannot be understood in one page.
Words on the page don't have the same impact as somebody saying the words to you.
There's a belonging problem in Hollywood. Who dictates who belongs? The very body who dictates that looks all one way.
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