A Quote by Jean Craighead George

Never before had I been offered a contract and advance before a word had been written... I went home and began writing 'Julie of the Wolves.' — © Jean Craighead George
Never before had I been offered a contract and advance before a word had been written... I went home and began writing 'Julie of the Wolves.'
I had been offered a Hollywood contract before my 18th birthday. It gave me the spark I needed.
'Sleepless' was a script that had been written by three or four other writers before me, and it never really worked, but it had this amazing ending on the top of the Empire State Building that just worked, no matter what came before it.
(Jean) Fautrier's exhibition (in Paris 1945,fh) made an extremely strong impression on me. Art had never before appeared so fully realised in its pure state. The word 'art' had never before been so loaded with meaning for me.
I sat with him for three hours and we did not exchange a single word. At the end he handed me, as he had done before, an envelope with money in it. It would have been much nicer if he had enclosed a greeting or a loving word. I would have been so pleased if he had.
Woodfall wasn't deliberately telling working-class stories, but John Osborne and other writers who were involved with them were writing those stories, which had never really been written before. The working-class person always had to have an accent before, was often a joker, and peripheral. At Woodfall, they were driving the film.
I think I felt compelled in a way because if I hadn't written the part, I never would have been offered the part. There are at least 10 guys who would have been offered the part before me.
I had it in my contract with CBS, a very weird clause that was never written before and certainly not since, that if I wanted to do a variety show within the first five years of the contract, CBS would have to put it on for 30 shows.
The only place where I felt at home, on familiar ground, was the Jewish cemetery. And yet I had never set foot in it before. Children had been forbidden to enter.
I lay and cried, and began to feel again, to admit I was human, vulnerable, sensitive. I began to remember how it had been before; how there was that germ of positive creativeness. Character is fate; and damn, I'd better work on my character. I had been withdrawing into a retreat of numbness: it is so much safer to NOT feel, NOT to let the world touch one.
I recognized him then; that is, I finally comprehended what I had known but had never been able to formulate: he had always been complete. He had finished the work of becoming himself, long before any of us could even imagine such a feat was possible.
There had been certain romantic interludes in the past that had included galloping across the desert at night; but he had never abducted any woman whose enthusiastic support for such a plan had not been secured well in advance.
We had offers to go everywhere and we could have done them. But what would have been the point? We were tired. We had worked hard and needed a break before we got stale. We spent six months at home and writing songs.
I always tried to imagine what it would be like to open your door to find something you had given up on. Maybe it had seen places you never had, been rerouted and passed through so many strange hands, but still somehow found its way back to you, all before the day even began.
As I have said before, that Federal Penal Code could never have been enacted into law if we had had a responsible press who was willing to tell the American people the truth about what it actually provides. Nor would we have had a bill had it not been for the United States Supreme Court.
They had met at a club fifteen years before, Etta and Magnus. He had convinced her to dance with him, and she said she had been in love by the end of the song. He told her he had been in love before the beginning.
I saw that everything really was written there before me, and that the doors had only been closed before because I hadn't realized that I was the one person in the world with the authority to open them.
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