A Quote by Gene Luen Yang
I was a superhero fan in the '90s, so I'm definitely familiar with John Romita, Jr. In fact, when I was in high school, I would go to local conventions and line up and get his signature.
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Though [John] Hughes did provide for us, if we wanted, to go to a local high school and try to blend in. Michael [Hall] and Molly [Ringwald ] already had school to go to with their tutors. Ally [Sheedy] wanted nothing to do with high school. She said, "I remember it fine. I don't want to go back." Which is great. So Emilio [Estevez] and I went. And Emilio lasted a couple hours because people recognized him from The Outsiders that had already been out, so his cover was blown.
I've been very lucky with the people I've met over the years. Way back in the early '70s I went to [Phil] Seuling's conventions for something like three years in a row from '70 to '72 and I remember at the '72 luncheon with the Academy of Comic Book Artists and talking with John Romita about the kind of brushes he used. Pros ask pros the same questions that fans do. "What kind of pens do you use? What kind of brushes do you use?" I was so amazed that the wonderful work John Romita was doing was accomplished with a Windsor-Newton series 7 Number 4. Not a 2 or a 3, but a 4.
I do feel that even though I didn't grow up being a big sci-fi fan or comic books or superhero fan, I felt myself definitely gravitate towards these movies that have a high concept and yet they're giving you a moral dilemma within that.
To be able to write 'Superman,' to be able to work with the legendary artist who is John Romita Jr., I signed on as soon as I could.
I grew up on movie sets, so it was something I just found familiar. When I was growing up also, in high school, I would audition for things and my parents let me audition for things - with the thought that I wouldn't get them. And then I would get them... sometimes, and it would surprise them.
I definitely straddled the line and hung out with high-school dirtbags. I'd tell my parents I was spending the night at my friend's but actually go to Philly and see a show at Starlight Ballroom. I would drink and do all that stuff, but I didn't set any barns on fire.
I'd get up in the morning, get ready to go to school, and I would dread it. I hated it. My mother would have the radio on. And the guy on the radio sounded like he was having so much fun. And I knew, when his program was over, he wasn't going to go to school.
My well-meaning parents decided to send me to a Catholic grade school to get a better education than I probably would have received at the local public school. They had no way of knowing that the school nuns, who were the majority of the teachers at this particular parochial school, were right-wing, card-carrying John Birch Society members.
In a way, I'm glad I'm first because I won't have to panic about following anybody other than industry legend John Romita Jr. And he drew Daredevil: The Man Without Fear, which is one of the books that had a massive effect on me as a reader and an artist. It has been intimidating, scary, exciting, and incredibly satisfying.
I was huge fan of most of the animated series growing up in the golden era of '90s superhero animation. I didn't care who was producing - it was much more about the specific heroes that I connected with.
I've always been a fan of music. I would say I'm a fan of late '90s to early 2000s rap. That's where I get all my inspiration from.
You wouldn't take me to be a Skrillex fan, but honestly, when I'm at his shows, I get high and liquored up, and I just go in the crowd and start raving.
My earliest thought, long before I was in high school, was just to go away, get out of my house, get out of my city. I went to Medford High School, but even in grade school and junior high, I fantasized about leaving.
I love when I go to conventions, and often it'll be the younger kids who will refer to us by our character names - how can you not find that absolutely charming? I remember when I used to go to conventions when I was a kid when I would stand in long lines to get people's autograph.
If it had taught them nothing else, twenty years of living past high school had taught them self-preservation. ... No one was going to risk putting his ego on the line; they would come prepared with dates, flattering clothes, and a well-rehearsed, carefully edited biography. They would all be kind to each other. High school was enough torture for one lifetime.
I was familiar with Lovecraft, I also was familiar with his history as a person. So I had read his stories but I wasn't bananas like I think that a lot of people get bananas. I was like, they're good and I can definitely see the influences - but I can definitely read them and see the parts where you're being racist right there in your own stories.
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