A Quote by Jeanne Tripplehorn

I'd really been wanting to do a television series. I was looking for a comedy. — © Jeanne Tripplehorn
I'd really been wanting to do a television series. I was looking for a comedy.
Fred Silverman, the head of ABC, he offered me a lot of comedy series but I told him I'd already been the best comedy series around, "The Odd Couple," and so when he saw that I did Quincy he called my agent and said, Jack turns me down? All my good series and he ends up playing an undertaker." And this was the HEAD of ABC series.
I'm married now, so I have a life. I had to get a life. That's one thing I really had to do, you know. You do that kind of work on television series after television series and you don't have a life. So, that's part of what I did while I was gone, I got a life.
I have been sent three or four scripts for television series, but there wasn't anything I really wanted to do. I want to tell a good story, whether it's a TV show, a movie, whatever. That's really my No. 1 criteria.
I guess at the age of 15 was the first time I made a goal of wanting to be on television, and I didn't get a series until I was 23, which was 'The West Wing.'
I'd love to do another television series. I really love the writing process, and as an actor I really like how much you get to examine in television.
A lot of people who do drama say comedy is the hardest thing, but, not wanting to sound like a bighead, comedy is easy for me, as I've always been fairly funny.
Today I said to the calculus students, "I know, you're looking at this series and you don't see what I'm warning you about. You look and it and you think, 'I trust this series. I would take candy from this series. I would get in a car with this series.' But I'm going to warn you, this series is out to get you. Always remember: The harmonic series diverges. Never forget it."
I've been fascinated with gargoyles since I was a kid. I took a high school trip to Europe, the 8 countries in 5 weeks kind of trip. Even then I collected postcards of gargoyles. Then I sort of forgot about it. You flash-forward a few years and I'm at Disney, we're looking for an idea to base a show on. I was running series development at the time at Disney TV Animation. And we came up with the Gargoyles comedy series. Which didn't sell!
I'm always struck by the kids who turn up in New York and LA, and places in between. Chicago. Wanting to do theater, wanting to do independent film. Wanting to break into television or radio.
I've been really fortunate to go from series to series to series.
"Prison Break" has been a really great experience because of the writers. I think that in television, you can have great directors, really good actors, but if it's not on the page... I think a series lives and dies in writing.
My dream was never necessarily comedy. I really wanted to make film or television and was interested in darker stuff over comedy, but I knew I liked dark comedies.
I played an artist in a comedy called 'Rooster.' It was a zany film by Glen Larson, a friend who produced several successful television series including 'Magnum PI.
I played an artist in a comedy called 'Rooster.' It was a zany film by Glen Larson, a friend who produced several successful television series including 'Magnum PI.'
At the major studios, you see people wanting to remake a TV series, wanting to make a sequel.
In terms of television and movies, I've been really interested in seeing the partnership of comedy and beauty and heart. I think they can go together really well and really thoughtfully. But, I'm a total one-hour drama addict. I think when you're a comedian, you tend towards dramas because that's the less stressful thing to watch.
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