A Quote by Jeannie Mai

My family would try and trick us and I would come to a party and she would be there. When I tell you the 'Love & Hip Hop' scene is nothing compared to what was happening with me and mom... throwing things at each other, the cursing, the words.
It is certainly true that cooking is therapeutic, creative and all those other faintly creepy self-helpish words. I would love to tell you that learning to cook was part of my journey toward actualization. I would love to tell Oprah this. I would love to tell Oprah this while weeping. But I learned to cook for a much simpler reason: in the abject hope that people would spend time with me if I put good things in their mouth. It is, in other words (like practically everything else I do), a function of my desperation for emotional connection and acclaim.
My mom's a character. My dad was my coach, but my mom was the one who was hard on me. I would come home from a game in high school after throwing five touchdowns and she would say, 'Oh, you played all right. You can do a little better.'
My mom would spend a week in jail. She would spend a day in jail here - a week again, a week and a half, two weeks. My grandmother tells me stories of how because I would be at the house, I wouldn't notice that my mom was gone because she would be at work sometimes. So it was just like time when my mom would be gone and my grandma would tell me she'll be back. And nobody knew where anybody was.
I had no idea how much the stuff I was doing was affecting people outside Oakland. At the time, also, hip hop wasn't able to tour because all these clubs that let hip hop come in now, they would never have let hip hop come in.
My mother encouraged it so much. She was so supportive. Even if as a kid, I would do the dumbest trick, which now that I look back on some things, she would love it, she would say that's amazing, or if I'd make the ugliest drawing, she would hang it up. She was amazing.
She didn’t understand why it was happening,” he said. “I had to tell her she would die. Her social worker said I had to tell her. I had to tell her she would die, so I told her she was going to heaven. She asked if I would be there, and I said that I would not, not yet. But eventually, she said, and I promised that yes, of course, very soon. And I told her that in the meantime we had great family up there that would take care of her. And she asked me when I would be there, and I told her soon. Twenty-two years ago.
It was like they waited to tell each other things that had never been told before. What she had to say was terrible and afraid. But what he would tell her was so true that it would make everything all right. Maybe it was a thing that could not be spoken with words or writing. Maybe he would have to let her understand this in a different way. That was the feeling she had with him.
If nothing else, now we knew where to find each other, even if only time would tell if either of us would ever come looking.
I guess the difference between the Korean hip-hop scene and the American hip-hop scene is that in the American hip-hop scene, you know, they have their Jay-Zs. They can become conglomerates through hip-hop. In Korea, it doesn't happen.
I never had the opportunity to run up and hug my mom and tell her 'I love you,' and she tells me she loves me and hugs me back. I would want her to come to my fights and support me, but it never would happen.
My mom is the kind of mom, when we would go to a friend of the family's house, and they would offer us something to drink or offer us something to eat, my mother would always say, 'Tell them no.' You could be starving - you could be dehydrated - but as kids, we were supposed to tell the host, 'No.'
Even though hip-hop started as a battle format, different artists appeared on each other's records or hung out in the same clubs, supporting each other. That was a profound influence. Also, hip-hop, to me, represents limitless possibility. Hip-hop is always evolving. People say, "Oh, it's a very commercial thing, it's too R&B." But in six months, a record is gonna come out that will completely change that.
If my mom came here today, she'd probably join this red-hat brigade. My mother got my sense of humor, even when I was a kid. I would just do things that tickled my fancy in the moment, and she would ask me who I was entertaining. I'd say, 'Well, me.' And she would tell me that nobody knew that and they thought I was psychotic. Well, I don't ever want people to think I'm psychotic, but I can't help myself from doing these things.
Usually, whenever my mom would come over I would try and put on music that I thought she would like just to make her feel more at ease.
I would like to encourage hip hop artists to invite those of us who are in the queer spaces in, so we can have those conversations. I love hip hop. If you bring me in the studio, I know how to act. And we can talk about what's not cool because, clearly, there's still homophobia that penetrates in all these areas.
I love that hip-hop can still provide jobs for niggas to get money and to put their crew on. I would never say that hip-hop is going down. It's cool, but it needs an adjustment. I think that hip-hop just needs a little fine-tuning.
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