A Quote by Ginnifer Goodwin

I come from theater, and doing period stuff is so whimsical and imaginative and so outside any frame of reference than I have ever had so I prefer that just in terms of fun factor.
The church had to find a way to protect Jesus' perfection so that he could do the work of salvation which, in their frame of reference, only God could do, because God had to come into this world from outside this world to rescue the fallen creation.
Over the years, I think, people - actors, writers, whatever - lose their frame of reference. Their frame of reference is based on somebody else who did this or did that. Performances. So it just becomes a reflection of what already works. Like a warm-up. And that's an invitation to be inauthentic.
In terms of trying to improve as an actor, for me it's always important to return to the stage. After doing a piece of theater for a prolonged period, I can think I must have surely improved in some way as an actor - you must be fitter than you were prior to doing it. For me, theater is very, very important in keeping things fresh and dangerous.
It is a good principle in science not to believe any 'fact'---however well attested---until it fits into some accepted frame of reference. Occasionally, of course, an observation can shatter the frame and force the construction of a new one, but that is extremely rare. Galileos and Einsteins seldom appear more than once per century, which is just as well for the equanimity of mankind.
I wasn't an academic looking in books for ideas. But I educated myself about historical work that was similar to mine, to provide a frame of reference that wasn't the usual frame of reference of the New York art world and Europe.
I've had a chance to see something that is way outside everybody else's frame of reference and gives a perspective that is very different from everyone else's.
Even when I was doing theater it was more comedic. Don't get me wrong, I love doing the dramatic and heavy stuff, but I just want to have fun. I want to make people laugh.
At my age, to still be able to do parts that are super physical, I'm lucky. I'm doing more fun stuff now than I ever have in my life. I'm just really fortunate.
When the rich build bigger, they shift the frame of reference that shapes the demands of the near rich, who travel in the same social circles. Perhaps it's now the custom in those circles to host your daughter's wedding reception at home rather than in a hotel or country club. So the near rich feel they too need a house with a ballroom. And when they build bigger, they shift the frame of reference for the group just below them, and so on, all the way down.
The interior deprives men of their senses. Here, the eerie stillness of the wilderness and the darkness of night render the men both deaf and blind. Without eyes or ears, they have no frame of reference-and without a frame of reference, they have no clear identities.
I always wanted to be an actor. It sort of prevented that whole - I never had any of that kind of angsty period old and doing musicals at camp and community theater and plays at school; it was just always what I most enjoyed and always what I intended to pursue.
I feel like I prefer movies, but, at the same time, theater is so exciting when you're doing it. It's a harder job doing theater.
I had done some community theater plays and I just had so much fun doing it. I was a really shy kid growing up and it gave me a platform to be able to express myself in a way that I didn't feel comfortable doing yet in my own skin.
My father was a teacher, my mama was a community worker, I taught in so many schools. So when you get that experience of how to communicate with younger people, put that hand on them and give them that old-school feeling, the maturity and adult, a lot of our kids just need the feeling of that love, and that's the frame of reference that I teach from and that's the frame of reference that all of our musicians in the Jazz at Lincoln Center.
I had to learn American sign language. And I did stuff in it, stuff that was just for me and was fun, that I don't think anyone would ever notice.
Einstein's space is no closer to reality than Van Gogh's sky . The glory of science is not in a truth more absolute than the truth of Bach or Tolstoy, but in the act of creation itself. The scientist's discoveries impose his own order on chaos, as the composer or painter imposes his; an order that always refers to limited aspects of reality, and is based on the observer's frame of reference, which differs from period to period as a Rembrant nude differs from a nude by Manet.
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