A Quote by Joe Budden
I have some things that I've been workin' on, such as delivery, wordplay, breath control, just a lot of other things that artists work on, that the listener may not be listening for.
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I can only control what I can control at the end of the day, so some things you just can't allow to take your head the other way, some things happen for a reason.
I just became obsessed with looking for new singers, unknown singers, people that maybe have been forgotten, and really checking them out and analyzing what they do - and obsessive listening. I think that's the core of my work on music - has been just listening to things and listening to singers.
A lot of times when I'm writing lyrics, I just think about insecurities that I might have and turn them into a scene. Some things may be true, and some things may not.
I have this ideal listener, as John Cage did. This listener doesn't bring expectations that my music will fit into some part of music history, or that it will do any particular thing. This listener is just open to listening.
I probably spent more time listening to albums than writing songs. But I think that gave me all the tricks in terms of wordplay, from how I pronounced my words to the actual delivery.
I'm particularly keen on promoting this [Nikolai] Medtner piece, Night Wind, because I feel it is a fantastic work that hasn't been given its due yet. Admittedly, it's difficult for both the performer and the listener. The work is quite dense, comparatively long, as these things go, and demands rather active listening. But it's gripping, and I believe it should be heard much more than it has been.
As artists, we are so not in control most of the time of the content or the narrative of our characters, and sometimes writing takes a turn and it's not something we necessarily have control over. It's just a lot of random dumb luck, so when things click, you've just got to enjoy it.
Like a lot of people, I have been a leader in some things, and I've been a follower in some things. I know how to work on a team. And most of life, frankly, to get things done you have to get done, you've got to work as a team.
A lot of my friends do creative things and are doing really well at what they do - some writers, some artists. I'm in a driven circle. I've had a lot of opportunities that other people wouldn't necessarily have and seen some cool places.
Well there is a lot of work here for younger and older musicians now. Our Ministry of Culture has now really embarked on changing things for artists, and it is getting much better. We just have to organize ourselves as artists, and then things will be better.
I get a lot of 'Oh, you've been gone.' I wasn't gone. Just because you didn't see me doesn't mean I wasn't working and collecting checks. I just wasn't singing and doing videos. I do a lot of other things, like I said, like writing scripts and stuff like that. I write for other artists.
The main joy I have in owning or being a part of my own label is the platform I've created to really push other artists and this other kind of musical muscle I get to exercise, it's not just me as a creator of music but me as a curator. That's been really exciting and I do get to have the autonomy and control and all those things with my releases, but now I get to go and find artists that I really love and like and share them with the world too.
I think I've learned the difference between the things I can control and the things I can't control. And hopefully, by doing the things I can control well, I'll have more favor in the other category.
I worked as a parking lot attendant for a while and a delivery boy and two or three other things, but none of them seemed just right.
Some things may work, but they definitely won't work every time. Some things may work at various times.
One of the hard lessons to learn in life is that there are some things you can control and some things you can't. If you want a short recipe for being frustrated and miserable, this is it: focus on things you can't control.
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