A Quote by Joe Dempsie

I suppose you've got to look like you're made of steel for nudity. You've got to get some arms on you. — © Joe Dempsie
I suppose you've got to look like you're made of steel for nudity. You've got to get some arms on you.
If you make a movie in the UK you've got to embrace the weather with open arms... We got some of the most amazing weather as well. It's maybe why some of these places, like the Lake District, don't get filmed in so much. If you were trying to make it look like some kind of chocolate box image of England you'd be there all year waiting for the sun to come out.
What I got out of baseball is what I have today, and I've got to look at that. I still see some of my friends that never made it past Triple-A. I made that last big step. I was lucky. I'm in love with my land. I got it all from playing ball. It gives me prestige. Someone says, 'What you got?' I say, 'One hundred and twenty-one acres of nice land.'
Michelle will tell you that when we get together for Christmas or Thanksgiving, it's like a little mini-United Nations... I've got relatives who look like Bernie Mac, and I've got relatives who look like Margaret Thatcher... We've got it all.
I've got my feet on the ground because I've got a lovely family waiting for me when I get home, even though they're not my flesh and blood. I haven't got children. That's my only regret, I suppose.
We have to recognize we've got some big problems on race, just like we got still big problems on crime, just like we got big problems on just about everything. But we also have to make sure that we've - draw confidence from the progress that we have made, 'cause otherwise, you get into this cycle of cynicism.
The crazy thing is, I sent out 200 letters and I got one job interview, and I actually got that job, which was working as a development assistant at Joel Silver's company. I always say that to people when they ask "What do I do?" and I'm like, "Look, I didn't get ten responses, and I didn't get five interviews, but I got one interview, and I got the job," and that was all I needed.
We're in a strange state in our world where we sort of have that belief - and I have it too - that if it's written down there's got to be some truth in it. We haven't quite got to the spot where you go: "Well, it doesn't necessarily mean it's true." It could actually be completely made up and made to look very nice. So, we have to get to the point where scandal and those kinds of things are less and less important because otherwise we won't have anyone willing to run as politicians.
I got a imam, I got a rabbi, I got a priest, I got a reverend - I got 'em all. But I don't want to be holier-than-thou. I want to help everybody and still get some (sex).
I wrote a couple of scripts on spec that didn't get made but got some attention, and I then got offers to write professionally.
Tinder - man, what's that all about? Tinder, where you're just, like, shopping for a human being. Reading the stats like 'Mortal Kombat.' You're like, 'Oh, he's got six arms, and he's only got the two, so I'll probably go with the six arms.' I don't want to do that with human beings.
I look at technology a lot because I feel like it's something we've got to stop and question, ya know? Right now it's sort of running ahead unabated and I feel like we've got to look at it and say 'Ok, I've gained all of these conveniences, but what did I lose?' And that to me is all part of the same idea of man-made work. We literally worship the things that we've made with our own hands. That's as old as mankind, that problem.
I don't think I made any really big mistakes; it's just that I chose something difficult to do. Looking back, I suppose I should be grateful that I got as far as I got.
I'm thinking in my head I'd like to have five minutes alone with this guy to get some payback. But you got to keep a level head. You just got to get to the house, search, find anything you can to put these guys away and bring some justice and get some revenge for our brothers who were lost.
You've got to sing like you don't need the money. You've got to love like you'll never get hurt. You've got to dance like there's nobody watching. You've got to come from the heart, if you want it to work.
Doing a concert, I look at a room full of different people, and I see you've got Muslims, you've got Jews, you've got Christians, you've got gays, you've got straights, you've got blacks, you've got whites. I think, 'How can I unite these people through song?'
I suppose I have played a lot of put-upon women, but it's never bothered me. They've never been weak - they've always got steel in them.
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