A Quote by Joe Jackson
It wasn't easy to get the family to this point. I had to work two jobs. I had all nine kids. I stayed there with them and got them all into show biz. I don't care what anyone else said, I did my job.
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My TV show had been cancelled; nothing else had gone anywhere; some alliances I had made petered out and nothing came of them and I was looking at a long, long year ahead of me in which there was no work on the horizon, the phone wasn't ringing. I had two kids, one of them a brand-new baby, and I didn't know if I would be able to keep my house.
I grew up thinking, 'You go to university, you get your degree, you get a job, you get married and then you have a family.' But when I got to the point in my life where I had all those things, and was looking to start a family, I was miserable. I realised I didn't want kids.
There are people who look up to me, but the young Muslim kids, especially in Germany, they also need those closest to them to show them a good path, give them targets in their life. I grew up with a lot of these kids and they didn't have the support I had from my family or friends. Not just in terms of football, but everything else.
My family kinda hit the skids. We were experiencing poverty at that point. We all got a job, where the whole family had to work as security guards and janitors. And I just got angry.
I'm convinced that a lot of people simply don't know what's available out there and how it is possible to find a job and work your way up if you are willing to accept responsibility for your life. I know what it's like to be on the bottom. I've been broke. I've been fired seven times from jobs. And I don't even have a college degree. But I didn't blame anyone else for my problems. I knew that if I didn't try to solve them on my own or with the help of friends or family members, no one else was going to take care of me.
I have a very close friend who is a brilliant clown, and I always wanted to do a show with him. So I did one year at La MaMa Theatre. I had not done stilts before that show, and I had about two weeks to learn how to do that, and they were just made with off-off Broadway money. The ones that I had in Rogue One were made by [Industrial Light & Magic]. So they were really easy. They were made with actual prosthetic feet on the bottom. They were athletic, in a way. I could run in them. There was a bounce to them that I could use.
Even when my parents were together, they both had to travel and work, and it wasn't like they had nine-to-five jobs. In that way, it wasn't a normal family life.
'Get a Job' is about all the rich kids we knew when we were younger, kids who never had jobs but always had money for partying or getting their hair done.
My father had nine kids, seven boys and two girls, and my uncle had 21 kids, 11 boys and 10 girls. They had the opportunity to teach the art of Gracie Jiu Jitsu and that's how we got involved from a young age. It's in the blood.
When my kids were growing up, I wanted their teachers to teach them science, reading, math and history. I also wanted them to care about my kids. But I did not want my children's public school teachers teaching them religion. That was my job as a parent and the job of our church, Sunday school, and youth group.
Just don't go out fighting. I don't need to know where you're going, that's your biz. But if you get yourself killed, I got ninety-nine problems and you're the biggest one of them." Rehv to John
Why shouldn't I hate her? She did the worst thing to me that anyone can do to anyone else. Let them believe that they're loved and wanted and then show them that it's all a sham.
I had the opportunity to be around my kids a lot. I guess I could have kept working, but I had them when I was 47. You only get to see all this stuff once. I just chose to work at home and watch them.
Teaching in Providence and Oakland, I realized that the first thing is that it wasn't good enough to come in and assume that I had what my students needed in terms of knowledge and skills. I also had to show them that I was their ally. I had to show them that I was concerned about them, wanted to relate to them, and that I was fundamentally on their side.
John Kricfalusi wanted me to quit the job when he got fired in 1992. But the problem there is that I wasn't his partner. I was a hired gun. And then people badmouth me for 10 years, like a rock in my shoe in that camp. It's a very small but active group of posters, as I've come to find out. But the thing is that I finally got to the point where, "Okay, I get you, I get it you don't like that I did what I did." But the thing was, the whole story was cockeyed. They said I put everybody out of work. No, I didn't. Everybody was going to be out of work if I didn't continue the Ren & Stimpy show.
Most of the actors that I've had the pleasure to work with are very easy to get along with. And whether they're getting paid or not getting paid doesn't necessarily make a difference. Most people are easy to work with and easy to get along with, but we mostly hear about the assholes who are really a pain in the ass, and we've all had our share of working with them.
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