A Quote by Joe Morton
Everywhere I go, someone stops me and says, 'Oh, you're that guy from 'Terminator 2.'' So, it's something that has, you know, been around me since the movie came out.
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If I'm walking down the street and someone stops me and says, "Oh! A song that you wrote meant a lot to me, and I listened to it after I went to my sister's funeral," that's when it hits me.
I don't condemn anyone for making their choices. If someone chooses those roles, fine. But not for me. When someone stops me and says, You're the reason I became an actress, that lets me know I made the right decision
I don't condemn anyone for making their choices. If someone chooses those roles, fine. But not for me. When someone stops me and says, You're the reason I became an actress, that lets me know I made the right decision.
I don't mind what people say about me as long as it's an opinion or the truth. If someone says, 'He's the worst comedian in the world,' that's fine. If someone says, 'His face makes me want to punch the TV,' that's fine. But if they say, 'Oh, and I know for a fact he hunts squirrels,' I go: no, no, no... that's a lie.
I came in on this movie after there had been a director and I came in after Tom Courtenay had talked to Ron Harwood about making a movie. So, you know Tom and Albert Finney had been friends since the beginning of their career as they became stars around the same time - Tom always reminds me that Albert was first with Saturday Night and Sunday Morning and then Tom with The Long Distance Runner.
Our team security said, even if you go to a supermarket, have someone with you. So everywhere I go - grocery shopping, practice, go to games, go to plays - I always have someone with me because you never know, a lone wolf, one of the crazy Erdogan supporters will do something.
I carry my flute around everywhere I go and pull it out. It actually becomes a panacea for me, for things that go on around me. It really gives me relief and calmness, tranquility.
I know our culture will sometimes understand a love for Jesus as weakness. There is this lie floating around that says I am supposed to be able to do life alone, without any help, without stopping to worship something bigger than myself. But I actually believe there is something bigger than me, and I need for there to be something bigger than me. I need someone to put awe inside me; I need to come second to someone who has everything figured out.
I went to see the Terminator movie the other night. Every time Arnold Schwarzenegger came on the screen this guy in front of me went 'Booo! Booo!' and was throwing stuff. I had to say 'Governor Davis just shut up and sit down!'
I have the best of both worlds. I have all the accolades that come with something like that video, but I don't have people stopping me on the street and being like, "Oh, my God, dance for me." I have probably only been recognized three or four times flat out - someone saying, "Are you the Evolution of Dance guy?"
One of the things that I love when I go to a film or when I'm reading some book or whatever, is to be told a secret I thought only I knew and then someone says, "Oh my gosh, you know, too." And film can take us into private moments in a way that the theater, I think, kind of can't, and that's one of the reasons I like doing films. And the way a book can is that these little secrets and the private things that go on in our minds that maybe we haven't shared with anyone, and then someone writes it or shows it to you in a film, you think, "Oh, that's me. Oh my God, that's me, I have that secret."
When someone bestows something on you, no matter how true it is, when someone says, 'Sexiest Man Alive,' I'm honestly going, 'Thank you. Right on.' For me, it's never canceled out anything, it's never made me go, 'Does this make me less talented of an actor?'
Miles Davis came in a couple of days and said, "Oh, man, I love that. Keep going." So he said, "Let me know when you need trumpet." And he came in, and he was sitting there, and I was very intimidated, because now he's going to play the trumpet on something that I wrote." He starts to play, and I go, "That's not right, but I don't know how to tell him it's not right." Finally he goes, "When are you going to tell me what to do?" He said, "This is your music. I know you know how it's supposed to sound. Stop fooling around. We don't have time."
I become friends with people in each city who can show me around. Like if someone came to Los Angeles they wouldn't really know where to go, so they'd have to call me up and then I'd show them around.
My mother says to me, when I'm making a new movie, she says, "Oh, is Steve Buscemi in it?" I'd say, "Yeah." And she, "Oh, then it's going to be a good one." I swear to God, she says that every time. And when I say Steve's not in it, she says, "Oh."
I call my mom from the car. I tell her that Neutral Milk Hotel is playing at the Hideout and she says, "Who? What? You're hiding out?" And then I hum a few bars of one of their songs and Mom says, "Oh, I know that song. It's on the mix you made me," and I say, "Right," and she says, "Well you have to be back by eleven," and I say, "Mom this is a historical event. History doesn't have a curfew," and she says, "Back by eleven," and I say, "Fine. Jesus," and then she has to go cut cancer out of someone.
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