A Quote by Joe Rogan

I don't really like actors. Actors are like terrible comedians with no punch lines. It's all about them. They talk about themselves all the time. They bore the sh - t out of you.
Comedians work great as actors because they're good under pressure. With a lot of actors, you have to make them feel like everything's going really well to get a good performance out of them. But, if you have a comedian on the set, you can tell them, 'Hey, you really are screwing this up,' and then they just get better.
Molly Shannon and I used to always talk about that we really felt strongly that we were comedic actors, that we weren't comedians. You just played things real and the comedy came out of the context.
I like actors who are themselves. I know in America you like actors who change their nose or wear a lot of wigs, and they like to take pretty girls and make them super ugly.
I can talk endlessly about characters, or why someone did this or that, and what that dynamic and interaction is. I really love it, and I think that actors really respond positively to the fact that I like to talk about that stuff, because I'm not sure that all directors do.
I really like to hear actors talk about acting, but I don't really like hearing myself talk.
I always talk to all the crew. I always make it pleasant. I always nurture a relationship that makes people feel like they're important, like they're a part of the collaboration. I feel that way about the young actors on set. I don't talk to them like I'm the mentor; I talk to them like they're my peers. And I learned that from Meryl Streep.
The press like to talk to actors. They mustn't be surprised when actors talk back to them.
I like young actors because they're so unspoiled, not like some of those actors who are about half an hour into their fifteen minutes of fame by the time they get to me.
I have been in situations where actors are treated like robots: say the lines, say it like this, we don't have time for conversations. That is a terrible position to be in as an artist. You feel used.
When I do interviews about movies I direct, I often talk about how my superpower as a director is that I'm an actor. I can talk to actors. I'm not afraid of actors.
Why would a lazy guy become a parent of five? Then again, why would creative people who inherently don't like change and criticism become writers, actors, or comedians? There's something about this process. I joke about it: My kids have made me a better person, and I only need, like, 34 more of them to be a really good guy.
I want to play everything. I want to be like Christian Bale: I want to be able to be Batman and then, like, his character in 'The Fighter.' That is what is so impressive about really good actors, that they can be character actors and leading men at the same time.
I hate hearing about actors who don't like the show. There are so many actors out there who'd give their right arm for what I'm getting to do.
I like to work and there's no movies for actors, period, especially black actors. When white actors are like, 'Man, there's no work out there,' then black actors are like, 'Are you kidding me?'
If there's anything I know about directing, it's how to make actors comfortable. It's where I started and it's what I know, and it's what I love. I like when the actors are really partners and I want them to be excited and I want them to surprise me. I don't want them to be puzzle pieces.
I want to get out of the way of the actors. I want to get out of their eye lines. I want to them to stop thinking they're making a movie. I want them to just go and live. It's like you take these great actors and put them in an aquarium of life, and just watch them swim. That's what makes editing tough because you get all these beautiful, unplanned moments.
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