A Quote by Joe Strummer

I found that I was just hopeless at school. It was just a total bore. First, I passed in art and English, and then just art. Then I passed out. — © Joe Strummer
I found that I was just hopeless at school. It was just a total bore. First, I passed in art and English, and then just art. Then I passed out.
Don LaFontaine passed away. He passed away from a blood clot in the lung. It was unexpected. It just happened. I was just blown away by it. He was like, "Pablo, I've got something in my lungs, I don't know what it is." And I said, "What is it?" And he says, "I don't know, it just keeps hurting." And then he left me a message saying, "I'll come see you when I get out of here." And it never happened.
Playing Japanese characters and being in environments that are Japanese, like a character's apartment or whatever, if you have directors or art directors who just don't know what' s what with Japanese culture, then pretty soon something's just passed through. I've been through many times where I've pointed out the incorrectness of so much of what's been done to a set.
Like, for example, way back then,[George W.] Bush could have passed immigration reform, just like [Barack] Obama could have when he first came in. And both of them passed on it, so now they leave it for now.
When I was in art school, I thought art was something I would learn how to do, and then I would just do it. At a certain point I realized that it wasn't going to work like that. Basically, I would have to start over every day and figure out what art was going to be.
Because I could not stop for Death, He kindly stopped for me; The carriage held but just ourselves And Immortality. We slowly drove, he knew no haste, And I had put away My labour, and my leisure too, For his civility. We passed the school where children played, Their lessons scarcely done; We passed the fields of gazing grain, We passed the setting sun. We paused before a house that seemed A swelling of the ground; The roof was scarcely visible, The cornice but a mound. Since then 'tis centuries; but each Feels shorter than the day I first surmised the horses' heads Were toward eternity.
When I was 16, I took the written driving test, just like everybody else did, and I passed it. Then the first time I was behind the wheel of a car, when I was a kid, it kind of freaked me out. I've always been a very anxious student of anything, and so not being able to process things quickly enough, feeling overwhelmed, I just got freaked out and so I just never tried again.
Just trying to live our lives and figuring out how to turn that into art. It's tough to say that the art was premeditated. Instead you just focused on living. 'How do I want to live? What do I want to do?' Then you figured out how to make that into art.
I never expected to sell my art. It wasn't like today where you come out of art school and they promise you a future. Now it's almost regulated in a way. When we came out of school, we just wanted to make art that'd blow your hair back and do it for sport. There was no commercial possibility that we saw.
I didn't know that Left Eye's dad passed away right when she wanted to tell him that she just signed to LaFace Records. After I signed to Jive Records and just before I put out my first album, my mother passed away. It was very odd how much we had in common.
Embraced by the Light. It's about a woman who passed away during surgery, and she went to heaven, had her experience, and then came back. My dad [Robert Kardashian] would try to get me to read it, and I wouldn't. Then when he passed away, I was cleaning out my room in his house, and I found it. I read it, and it helped me. I felt like my dad was okay.
I'd dropped out of high school without really doing it on purpose - I'd just go home at lunch 'cos I didn't have friends, then stay there all afternoon listening to rap. It got to the point where I wouldn't have passed even if I'd gone back. I was depressed, basically.
There's no such thing as sculpture or art or anything, it's just a bit of - it's just words, you know, and actually saying everything is art. We're all art, art is just a tag, like a journalists' tag, but artists believe it.
We need to make sure that there's art in the school. Why? Why should art be in the school? Because if art isn't in a school, then a guy like Steve Jobs doesn't get a chance to really express himself because in order for art to meet technology, you need art.
I could never sit down and say: I'm going to do an out-and-out comedy, just to prove to people I can. You've just got to do what you do. Just listen to your soul and do your art and do it for the right reasons, and then you can't fail.
And then writing, it was like I just found it, you know? Like you just found your favorite flavor of ice cream, all of a sudden there it is. 'This is what I should have been doing for the last thirty years. What was I thinking?' So I was, then I was in and then I had to just keep going with it.
There is some music that's truly dark, in that it's dark in terms of hopeless. But then again, the act of hope is just making the work of art.
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