A Quote by Joe Swanberg

I don't have an agent. I don't take meetings or anything like that, so I don't really know what's out there. I'm not closed off to anything, but I'd just have to ask myself at every step if it's worth it.
People ask me, 'Why don't you take time off?' but the working class doesn't take time off. They're out there working every day. That's what I do, too. I want them to know there is hope, and I'm out there just like they are.
I do consider myself a competitive person, but I'm not competitive to the point where I will do anything to win. I wouldn't step on somebody just to get to the next level. I would have to do it fair and square. I'm kind of competitive in a way to where I like to figure out things myself, and if I need help, I'll ask.
Every time I read anything, whether it be a book, a script, or anything, I automatically imagine myself as the boy in the plot. I don't know why. Seriously, anything. If I'm reading a magazine article or whatever, I picture myself as the kid people are talking about. It's really weird. I don't know why I do that.
I don't actually think I'm treated unfairly or anything. If anything, I sometimes can't understand why I don't see myself and the people I know represented more in films. Unless I'm going to go out and write them myself, I don't feel like I can really complain about it.
My life motto is basically to lower your standards and expectations so you're never disappointed and never put any trust in anything, and I try to prepare for the day that I wake up and everyone I know is like LOL JK BEST LONG - RUNNING PRACTICAL JOKE EVER, so I've never really let myself freak out or get too excited about anything. Not in an effort to be cool or not care or anything, just out of neurosis.
I'm not an L.A. guy. I don't take meetings - you know what I mean? I don't really know how to interact very well with people in L.A. because everybody's got an agenda and everybody's like, "What do you do?" "Where are you going?" Or it's like, "What do you know?" And I'm not on a grind - I was there to make music and to meet people but I wasn't hustling for anything.
Yeah, you know, if I'm having an emotional scene I do like to go off and be by myself; not to say that I'm a method actor or anything like that, but for scenes like that that are more emotional, I do like to take that night off and not be so social.
When I perform, I lose myself. I'm in total control of that stage. I don't think about anything. I know what I want to do from the moment I step out there and I love every minute of it.
I really don't like to take the easy way out, if I can help it, on anything I do, I like to really make it a challenge. I don't know how to create by taking the easy routes. I've tried, you know, I've tried to let myself, but I always struggle to compensate.
I love acting. I love stage work, more than anything. It's just live. It's right there in front of you. If you make a mistake, they know it and you know it. I won't do anything where I feel like I'm just making a fool out of myself. By doing that, I'm able to rise to my highest potential.
It's about trying to step out of being patterned and closed off and reclusive, which I've always had a problem with. It's about attempting to be normal and just go out and be around other people and hang out. I have a tendency to sometimes be pretty closed off and not see people for long periods of time and not call anyone.
I don't know if it's naivete or just narcissism, but I start out with this notion that I can do anything. It's not until I get into it that I realize what I've thrown myself into, and then I will do anything not to humiliate myself. And that, I think, is the secret to my success.
It's tough to have a guy - not hinting at anything; it wasn't anything in the past - but when coaches are kind of on that roller-coaster ride, up and down, highs and lows, you never know what to expect. It makes it tough to come into work every day and be excited to go to meetings and things like that.
She closed her eyes. "I didn't know that. i didn't know anything. It scares me the things I told myself. But I would have told myself almost anything, because I wanted to believe him." "Why?" "Because I wanted to be with you.
I haven't had anything said to my face. ... I don't know what goes on behind closed doors. I did understand it was out there. That's one of the reasons I like my partnership with Secret and calling the NFL: It's a chance to break through some barriers by showing what you can do, as opposed to telling people what you can do. That's the approach I prefer to take: Let me prove to you that a woman is capable of doing this. Then, hopefully, you won't have to ask that question ever again.
I figured out that I can't forget. I can't really forgive. But I can live. Live with it. Like you live with a scar or a limp or whatever. You always know it's there. It reminds you never to let yourself do anything so stupid and horrible and wrong again. I step out of my rut, step again, and keep stepping. (277)
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