A Quote by Jo Walton

Before I got glasses, I thought Monet was the world's only realist landscape painter. — © Jo Walton
Before I got glasses, I thought Monet was the world's only realist landscape painter.
Only the human figure exists; landscape is, and should be, no more than an accessory; the painter exclusively of landscape is nothing but a bore.
The present is always unsettled, no one has had time to contemplate it in tranquillity . I was a painter before I was a writer and a painter never wants the subject right under his nose; he wants to stand back and study a landscape with half-closed eyes.
I got Elliott Smith's photography book as a gift before. The publisher of that book's logo were glasses, and those glasses came to my mind when I was thinking of having a tattoo.
Take away a painter's vanity, said a famous landscape painter, and he will never touch a pencil again.
The thrill of a photo-realist painter is if you get really close to the painting, it looks just like a photograph. Whereas in my case, if you get close to my paintings, they totally fall apart - so I'm about as far from a photo-realist as it gets.
My mother thought I would have a hard life as a painter. My father thought the highest thing a person could be was an architect. Below that was a painter. So he thought it was much better than being, say, a doctor.
What I did for my last act as a painter, if you call me a painter, was to photograph the weave of the canvas, and enlarge it and enlarge it until it became like a landscape.
The crazy thing is I got all of these shoes, and probably 80 percent of them I've never worn before. I've worn all the glasses. I sleep in them, bend them up a little bit. Glasses are on all the time except when I'm at practice or at work.
A person wearing tinted glasses can avoid the conclusion that the entire world is tinted only by being conscious of the glasses themselves.
I am not a follower of Monet. I am not an admirer or follower of De Kooning. I am not an action painter. I am not an abstract expressionist. I am not younger or older. I will not take my hat off to any other artist living or dead in all the world. I know this.
I don't know what you mean when you say 'the whole world' or 'generations before him.'I thought there was only us. I thought there was only now.
I thought that Yoel Romero and Tim Means got the only two tainted bottles of protein in the world. I thought it was crazy. You never know with these companies; you've got to be careful.
If it is the love of that which your work represents--if, being a landscape painter, it is love of hills and trees that moves you--if, being a figure painter, it is love of human beauty, and human soul that moves you--if, being a flower or animal painter, it is love, and wonder, and delight in petal and in limb that move you, then the Spirit is upon you, and the earth is yours, and the fullness thereof.
The world is moving into a phase when landscape design may well be recognized as the most comprehensive of the arts. Man creates around him an environment that is a projection into nature of his abstract ideas. It is only in the present century that the collective landscape has emerged as a social necessity. We are promoting a landscape art on a scale never conceived of in history.
That is the fear: I have lost something important, and I cannot find it, and I need it. It is fear like if someone lost his glasses and went to the glasses store and they told him that the world had run out of glasses and he would just have to do without.
Painter after painter, since the beginning of the century, has tended toward abstraction. First, the Impressionists simplified the landscape in terms of color, and then the Fauves simplified it again by adding distortion, which, for some reason, is a characteristic of our century.
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