A Quote by Joan Jett
I really wanted it to be organic and coming from my heart. So, I think maybe the initial thought of wanting to go in that direction, I had to wait until things happened in our world and in our country that fired me up enough where the words came out organically.
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I came up with the "We are explorers," with sort of a counter-melody to [Opetaia Foa'i] melody. And so, it happened so organically, that it really, to me, is the most emblematic of our collaboration.
I think that people ran out of oxygen and don't really know what happened up there, maybe some of them just made things up because they weren't sure what had happened.
Our tears are not enough. Our words and our prayers are not enough. If we really want to honor these twelve men and women, if we really want to be a country where we can go to work and go to school and walk our streets free from senseless violence, without so many lives being stolen by a bullet from a gun, then we're gonna have to change. We're gonna have to change.
It's the kind of turn that happened to the great country of Germany, when Nazis came over and created tragic things, and they had to be told off. And if we continue this kind of violence and accept it in our country, the rest of the world's going to really take care of us, in a very bad way.
A priest once said to me, 'Think of a priest going to the altar as you walk out on the stage.' I would hate to think that anyone thought I was coming to preach. But art and music open up things that you can't put into words. It's about bringing joy when you go out there.
Each of the films, whether it’s Magic Mike or Dallas Buyers Club, was a challenge for me. I had to dig deeper. Also, my decision to shake things up came after my first child was born. I had taken nearly two years off and I thought that I would enjoy my time as a dad and wait until something interesting came along.
Unfortunately, the real focus in this country has not been on the rest of the world. It's been on our own issues and our own problems. Fair enough. But it means that our simple hopes that everything will just work out abroad aren't really coming to pass.
Growing up, my parents managed to show me the importance of reading without cramming it down my throat. A difficult task, I'm sure. It breaks my heart to think that there are kids out there, ready to have their imaginations lit on fire, excited and wanting to read, and facing naked shelves in their school or local libraries. Rather than complain or wait till the system stops failing our nation's children this is a matter I feel we must take into our own hands. There are children, right now, waiting-wanting to read. What shall we tell them>
What people don't understand is that the underground that existed was created in the early 80s and was thriving throughout the 80s. Until the industry showed up it was a pretty significant network. It was all happening, but the smell of money had not wafted up high enough for the industry. It wasn't really until they came descending on Seattle that things really got out of control.
There were a lot of days when I thought maybe this isn't what I should be doing. There've been a lot of days where you get to the point where you're like, "I don't know if I've got the will to even do this." It's the type of game that doesn't let you walk away so that's what happened, I just kept coming back to it until something really happened for me.
I think a large part of an actor's job in preparation is just making the words feel organic to them, and obviously they came out of me, so they felt organic to me already. And then I think then it was all about clearing away all the other voices.
I think that it has to be a very humane approach to this issue, and we have to come up with solutions to it. But we also have to do something about the drugs that are coming across our southern border that are killing our kids... I think there are some people who want to leave this country and return to the country they came from, but obviously it requires a broader solution that that, and we all know that.
And Paul Moravec, not being a theater person, would always trust me when I said things that I am like, "you're going to need another 10 seconds of music year to get them across the stage." But I always knew that the people were going to be coming to hear his music of which my words are going to be a part. It was clear that he wanted to go and direction A., and I wanted to go and direction B. We would've gone and direction A. That's the most important piece of advice I can give to anybody who finds themselves in an opera, or musical comedy situation like that.
Because of our excessive touring and not giving up, it wasn't until 'Toys' came out that 'Dream On' really caught on. And then, of course, 'Walk This Way' crept up after that. Things went our way after that.
I talked to people that I'd done theater with, older actors and stuff. There's a lot of people who go into the business, and they must think they're good, or they wouldn't be in it. Why do you think that you're good enough to go into the business and make money at it? So I really wanted to ask myself that question a lot. Because it was an important kind of thing that I was going to do. I really wanted to do it, I loved it, and I thought that I was good enough that I could make money at it. And that's really what it came down to.
I go to bed, and I wait for sleep as a man might wait for the executioner. I wait for its coming with dread, and my heart beats and my legs tremble, while my whole body shivers beneath the warmth of the bedclothes, until the moment when I suddenly fall asleep, as a man throws himself into a pool of stagnant water in order to drown. I do not feel this perfidious sleep coming over me as I used to, but a sleep which is close to me and watching me, which is going to seize me by the head, to close my eyes and annihilate me.
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