A Quote by Joan Juliet Buck

I get very weird and defensive about what I'm working on - I wouldn't even tell my secretary what the next page of my novel was about. — © Joan Juliet Buck
I get very weird and defensive about what I'm working on - I wouldn't even tell my secretary what the next page of my novel was about.
The more readings a novel has, even contradictory, the better. In journalism, you talk about what you know; you have provided yourself with records, you have gathered information, you have performed interviews. In a novel, you talk about what you don't know, because the novel comes from the unconscious. They are very different relationships with words and with the world. In journalism, you talk about trees; in the novel, you try to talk about the forest.
I'm working on a novel about a girl who grows up in the circus and her relationship with her father, who grew up in Hungary when it was under Soviet control and left during the 1956 revolution. It is told from both of their perspectives, and has been a joy (and very frustrating) to research and write. Needless to say, I am very excited about my next project!
Ranbir was my first choice for 'Ek Deewana Tha.' I tried to get in touch in with. Forget about meeting Ranbir. I couldn't even meet his secretary. Yes, even the secretary refused to meet me.
What we've noticed is that people latch onto our music, and are very, very supportive of it, even almost defensive about it. Quite fanatical, some fans, aren't they? Just like they are in England, once they get a hold of "their" band, they don't want their band to get too big anyways.
I get very tense working, so I often have to get up and wander around the house. It is very bad on my stomach. I have to be mad to be working well anyway, and then I am mad about the way things are going on the page in addition. My ulcer flourishes and I have to chew lots of pills. When my work is going well, I am usually sort of sick.
Even though the method of 'Harvest' was a historical novel, its intentions were that of a modern novel. I'm asking you to think about land being seized in Brazil by soya barons. It's also a novel about immigration.
It may sound very strange, but I love the freedom that writing a novel gives me. It is an unhindered experience. If I come after a bad day, I can decide that my protagonist will die on page 100 of my novel in a 350-page story.
The essential gesture of the contemporary novel is to get people to turn the page, to entertain them, and I hate that. I want a novel where the gesture is towards existential investigation on every page. That, to me, is thrilling.
We don't like talking about race in the U.K. - it's a very sensitive subject. People get extremely defensive and run for the covers, but I believe we have to talk about it.
It's very weird because the 'It' guy usually is not the 'It' guy next year or even a guy that anyone is talking about.
I'm always working on my next novel, even when I'm not.
The next phase and this is part of what I'm interested in doing after I get out of the presidency is to make sure that I'm working with that next generation so that they understand you can't just rely on inspiration. There's a little perspiration involved in bringing about change too. That you have to be organized, that you have to vote even when it's not exciting.
If someone does learn about the world from reading a novel of mine, that makes me very happy. It's probably not what brings me into the novel in the first place - I usually am pulled in by some big question about the world and human nature that I'm not going to resolve in the course of the novel. But I'm very devoted to getting my facts straight.
The average detective story is probably no worse than the average novel, but you never see the average novel. It doesn't get published. The average -- or only slightly above average -- detective story does.... Whereas the good novel is not at all the same kind of book as the bad novel. It is about entirely different things. But the good detective story and the bad detective story are about exactly the same things, and they are about them in very much the same way.
Whatever's good about your book should be good on page 1, or very few editors are going to get to page 2.
My dad was in the life insurance business, so I learned about selling when I was about 14 because I started working as a secretary.
This site uses cookies to ensure you get the best experience. More info...
Got it!