A Quote by J. K. Rowling
Some readers and commentators really want to scrape your insides out to make sense of your work. Others say, there's the work, it speaks for itself. Personally, I fall somewhere in the middle.
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I made up my mind that I'd get out of that place and I didI learned that if you want to get somewhere, you just make up your mind and work like hell til you get there. If you want to go somewhere in life, you just have to work till you make it.
Sometimes if you want something badly enough, you can make it happen. If you miss someone so desperately that it wrecks your insides, you say their name over and over until you conjure then. It's called sympathetic magic and you just have to believe in it to make it work.
When I was younger, I was worried about how others viewed me and if I was good enough. I realize now that you can't mold an image or try to be something that you are not. As far as being an actor is concerned, your work really speaks for itself.
You really want to keep ringing the changes - you hope that your work and your choices make people excited about where you're going next and that that might be somewhere unexpected.
If you want to change an external part of your life, then you are first required to change the internal beliefs that hold these patterns in place. If you want others to respond to you or your work in different ways and with more appreciation, then examine your expectations for your work and your efforts. When you believe in yourself, chances are others will find your worth also.
I'm here in this industry to work. I respect the work of others equally. There's no sense of insecurity, but definitely, when you see others doing well, you also want to give your best in whatever opportunities you have.
I think that everybody who writes believes that their work has some kind of use-value, for someone, that there's some need for it, some person or group of people out there has demanded that these words come into being. I think that you do the work for these people. You hope that you can make a living at it. Whatever your ambitions and needs are in that regard, your only real requirement is to try and dig as deeply as you can dig to make sense of the meaning of human existence.
Sometimes I get slammed because I work at Fox and I am black. People are like, 'How could you work there? Who are you?' People really want to know what are your politics personally. Some of them, not everybody.
It's a really crappy feeling to realize that your entire outook on your life can be controlled by some little pill that looks like a Pez, and that some weird combination of drugs can make your brain think it's on a holiday somewhere really sweet when you're standing naked in the middle of the school cafeteria while everyone takes pictures of you. Metaphorically. Or whatever.
One piece of advice I have is: Want something else more than success. Success is a lovely thing, but your desire to say something, your worth, and your identity shouldn’t rely on it, because it’s not guaranteed and it’s not permanent and it’s not sufficient. So work hard, fall in love with the writing — the characters, the story, the words, the themes — and make sure that you are who you are regardless of your life circumstances. That way, when the good things come, they don’t warp you, and when the bad things hit you, you don’t fall apart.
You want to be confident when you work out because it takes a lot to make you work out. So many women really enjoy it, but it's a hard thing and you have to make yourself do it most of the time. I think you want to feel that you look good to make you want to work out a little bit more.
I often give this metaphor where I say that writing short fiction is like surfing, while writing a novel is like navigating with your car. So when you navigate with your car, you want to get somewhere. When you surf, you don't want to get somewhere, you just don't want to fall off your board.
I'm very artistic and creative, disorganised - ambitious, I would say, if that even makes sense. I'm definitely not the most mathematical person in the world; not scientific. I can't even work out a tip; it's really sad. But I've always thought, play up your strengths and let someone else handle your weaknesses. It's OK. Work together.
Movies are hard to make, and you have to work toward a common ethic and do your best. You don't want to work with people who don't care or who are acting out some neurotic, crazy thesis on the set.
When your work speaks for itself, don't interrupt.
The moment you know that this is the person with whom you want to spend the rest of your life, you should start the engagement process. Once you know this, the nature of the relationship changes. You view actions differently, the pressure to have sex increases, and your relationship with others is affected. If you're considering getting engaged, write out the sentence Staying married is hard work fifty times. ...Though I say this with some humor, I think these points bear repeating: Don't underestimate the work involved, but don't panic either.
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