A Quote by Joan Severance
I hope they make a show like M*A*S*H, which dealt with a lot of difficult subject matter but was very funny.
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Well, I think tone is very important with this show [Masters of Sex] because there are certain elements or certain aspects to the show that may be reminiscent of other shows. But, it really is a very new kind of show, in terms of the subject matter and the way it's being dealt with, and the fact that it's about real people and real events.
Venezuela is another place I'd like very much to go, which is proving very difficult. I have not been there to make a show and I'd like to, very much.
I'm not offended. Lenny Bruce taught me that everything's funny. You can make everything funny. I don't think that assassinations are funny, I don't think you can make fun of ISIS, but almost everything is funny. And If we can't laugh at ourselves, who can we laugh at? So I don't mind ethnic humor. I like ethnic humor. I like dialect jokes. Laughter is a very subjective thing. If it's funny to you it's funny. And a lot of things are funny to me.
I make people laugh hard; I'm a comic, that's just the way it is. And I make them laugh because I'm funny, not because I'm filthy. The subject matter is dirty, but the pictures I paint are really funny. A lot of comics don't understand that that's what it's about. It's just, "I'll be dirty and they'll laugh." Nobody's becoming a superstar that way.
Coach Blatt is very, very knowledgeable about the game. And it just goes to show you that no matter where you're at, he knows as much about basketball as anyone. You learn a lot from him. And he's a very charming guy, very personable. He's pretty funny, too.
I would like to thank the Commonwealth Games Federation for the very fair manner in which this matter has been dealt with.
I think when you're dealing with very tenuous scenes and difficult and heavy subject matter, it's important to be close intimately with your cast as friends, and be able to diffuse a lot of that tension and trust each other with the work.
In terms of content, you can make a problem for yourself, I mean, make the contest difficult, let's say, with certain subject matter that is inherently dramatic.
I'd almost say hope isn't what it used to be. It's very difficult today to be a teacher. I speak to children. And tell them, look, no matter what, you must have hope. You must. When I invoke Camus, who said when there is no hope, you must invent hope. . .hope is something that is not what God gives us. It's like peace. It's a gift that one can give to one another. Only another person can push me to despair. And only another person can push me to hope. Its my choice.
You don't get a lot of life milestones in show business. It's really difficult to make things, and a lot of times you don't know you're at the end of something. With Mr. Show, I was only a writer and we knew we were going into the movie, and we thought, "Okay, like Monty Python, we're going to make five movies." And we didn't know it was the end. So it ended up being a bummer and such a terrible ending for Mr. Show. We never got to feel like, "Wow, we did it! We did something."
On the whole, dialogue is the most difficult thing, without any doubt. It's very difficult, unfortunately. You have to detach yourself from the notion of a lifelike quality. You see, actually lifelike, tape-recorded dialogue like this has very little to do with good novel dialogue. It's a matter of getting that awful tyranny of mimesis out of your mind, which is difficult.
We're going to show great heart. DACA is a very, very difficult subjects, one of the most difficult. You have these incredible kids in many cases, not in all cases, in some of the cases they are gang members and drug dealers, too. But you have some absolutely incredible kids, I would say mostly. They were brought here in such a way, it's a very, very tough subject.
The secret for an artist is to make that a subject and not bang your head against the wall and give up. But to turn it into and treat the new subject matter, which is one's own vanishing.
Most of my show is true; like, 90% of everything I say on stage is true. I just have to find the way to make it funny - that's the difficult thing.
I heard that people were really interested in the new haircut, which I think is so funny. Great haircut, I really like it. It goes great with the time period. And I was super, super, super-happy to have my bangs swept to the side rather than straight in front of me, which I dealt with for three seasons. I'm very, very much done with that.
I always love it best when you have a project where there is this commingling of the subject matter and the way in which you're recording that subject matter.
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