A Quote by Joan Chen
Beauty is the result of having been through an experience all the way through to the end - therefore it has a poignancy. Beauty that is singular always comes from following an experience to the point where you can go no further.
Related Quotes
The beauty in the story is at one with suffering. That is also part of our upbringing - we don't think there could be beauty
otherwise. Beauty is the result of having been through an experience all the way through to the end - therefore it has a poignancy. Beauty that is
singular always comes from following an experience to the point where you can go no further.
Surely all art is the result of one's having been in danger, of having gone through an experience all the way to the end, where no one can go any further.
As nature erodes the earth into magnificent forms, life through endless experience opens us further and further to the essence of what matters. Each time I've been opened further, the way I experience life and receive things has changed.
The assumption behind any theology that I've ever been familiar with is that there is a profound beauty in being, simply in itself. Poetry, at least traditionally, has been an educing of the beauty of language, the beauty of experience, the beauty of the working of the mind, and so on. The pastor does, indeed, appreciate it.
You can stand on the cliff of my heart and shout nothing but ‘ugly’ through me. I promise all I will echo back is ‘Beauty, beauty, you have always been beauty
That authentic experience that happens both in the artist and in the audience you can classify as a mystical experience. You can classify it as aesthetic shock, or even a psychedelic experience. Some people seek to recreate that experience through drugs. But the other way that you can do it is through art, and through spectacle. We have those experiences when we go to rock shows, or when we listen to a piece of classical music, or read a particular poem, or see a painting.
The experience of beauty is in the eye of the beholder, as they say. The artist's relation to the object of beauty, how the art makes that happen, is a whole other subject. Beauty is an event. Beauty is something that happens. There is no such thing as a beautiful object or a beautiful woman. These things do not come near it - the experience of beauty, the event of beauty. The anxiety about it is what makes it such a central concern of culture and makes us so interested in it.
The singular point of beautiful objects, and people, is that they are experienced not as parts, or ratios between cheekbones and chin, but as wholes. The experience of beauty is a perception, but it is one that mixes up various other sensations and makes them converge in a particular way.
Hope always draws the soul from the beauty which is seen to what is beyond, always kindles the desire for the hidden through what is constantly perceived. Therefore, the ardent lover of beauty, although receiving what is always visible as an image of what he desires, yet longs to be filled with the very stamp of the archetype.
We can roam the bloated stacks of the Library of Alexandria, where all imagination and knowledge are assembled; we can recognize in its destruction the warning that all we gather will be lost, but also that much of it can be collected again; we can learn from its splendid ambition that what was one man's experience can become, through the alchemy of words, the experience of all, and how that experience, distilled once again into words, can serve each singular reader for some secret, singular purpose.
Goldie Hawn has always been a beauty and fashion icon to me. She radiates joy and infuses beauty into everything through her smile and spirit. She is a great example of what real beauty means to me.
Without an allegiance to beauty, art degenerates into a caricature of itself. It is beauty that animates aesthetic experience, making it so seductive; but aesthetic experience itself degenerates into a kind of fetish or idol if it is held up as an end in itself, untested by the rest of life.
Many audiences all over the world will answer positively from their own experience that they have seen the face of the invisible through an experience on the stage that transcended their experience in life. They will maintain that Oedipus or Berenice or Hamlet or The Three Sisters performed with beauty and with love fires the spirit and gives them a reminder that daily drabness is not necessarily all.
As I experience it, appreciation of beauty is access to the soul. With beauty in our lives, we walk and carry ourselves more lightly and with a different look in our eyes. To look into the eyes of someone beholding beauty is to look through the windows of the soul. Anytime we catch a glimpse of soul, beauty is there; anytime we catch our breath and feel "How beautiful!," the soul is present.
Through the experience of memory, you recall what you have done, and you therefore attach yourself to it and perceive yourself through prior experience.
The many faces of intimacy: the Victorians could experience it through correspondence, but not through cohabitation; contemporary men and women can experience it through fornication, but not through friendship.
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